Today is the publication date of The Fishmonger And The Pastry Chef, my new picture book with the wonderful illustrator Cheryl Orsini. Published by Little Hare (Hardie Grant Books), and partly inspired by my family history in the beautiful French Basque seaside town of Biarritz, it’s a very special book indeed. I can’t begin to say how much I adore the gorgeous visual world that Cheryl created around my text, weaving in her own beautiful, engaging threads of imagination and warmth. It’s been pure joy to work with her as co-creator!
Many thanks to our agent, Margaret Connolly, our publisher, Chren Byng, editor Johanna Gogos, and all the excellent team at Little Hare and Hardie Grant children’s publishing for your belief in this book and for helping to make it the most beautiful production ever.
Thanks also to the reviewers and booksellers who even in advance of publication have taken our book to their hearts–it is hugely appreciated! And here’s hoping The Fishmonger And The Pastry Chef will find its way into many, many hands and hearts, all over the country.
And if you’re in Sydney, do come and celebrate the launch of The Fishmonger And The Pastry Chef with us on Saturday November 29 at 2pm, at Gleebooks (Glebe). There will be sweet treats, stories and crafty things! RSVP to rachel@gleebooks.com.au
Today, August 1, is the official publication day for The Giant, my new picture book with the wonderful illustrator, Lorena Carrington, and we are so thrilled! Published by MidnightSun Publishing, The Giant is a fable about, yes, a giant! He wakes from a long sleep and happily walks down the mountain to find his old friends in the town–but alas, so much time has passed since he went to sleep that nobody remembers him and everyone runs away in fear–everyone, that is, except for–well, read the book to find out!
The Giant is my second picture-book collaboration with Lorena, after Satin (MidnightSun Publishing, 2023), which was awarded a Notable Books citation in the 2024 Children’s Book Council Book of the Year Awards. And as with Satin, creating The Giant was an absolute blast of a book to create together with our lovely publisher Anna Solding and her team at MidnightSun Publishing.
To celebrate the book’s publication, Lorena and I have written a bit about how it all came about. Hope you enjoy reading about it–and enjoy reading the book, too!
From Sophie:
The idea for the story of The Giant came into my head one day when I was walking up the road on a sunny but cold winter morning. He just arrived without warning; one minute I was strolling along, just enjoying the walk, the next minute I had stopped abruptly, seeing him so clearly, waking up, yawning and stretching after sleeping in his cave for a very, very long time.
As a child, I had read old stories where great heroes slept for centuries in caves but might wake up one day if they were needed to fight battles. But I knew my giant wasn’t about fighting battles, he was about finding his friends. And I could imagine his excitement as he went out into the sunshine, filled with joy as he thought he could see his friends again. And then his sadness as he realised nobody remembered him…I hurried home then so I could write his story down and find out what happened next to this gentle giant whose tears could make a river rise.
It was wonderful to write it and even more wonderful and thrilling to see the Giant and his world come to life in Lorena’s magical illustrations!
on left, part of the original first draft in my notebook, on right the finished draft on the computer
From Lorena:
I loved Sophie’s gentle giant from the first time I read her story, and I could picture him immediately in my mind. He is made up completely from elements of nature: moss, stick, leaves, little bits and pieces you might find out walking, so I like think of him as being real part of the landscape that he’s in. In fact, most of the illustrations in this book are made with photographs of nature montaged together, along with paper collage, and a little bit of drawing.
I also knew right from the start that I wanted the illustrations to be full of colour. Set over a full day, from sunrise to after dark, the colours change according to the time of day. If you look closely you can see I’ve used photographs of different landscapes to make up landscapes in the giant’s world, and also added some cut paper, little bits of drawings, and added little interesting things here and there. Look out for the drawing of the giant in the book, and see if the scene repeats itself in a different way later in the book. Can you find versions of the birds and the butterfly from the page borders too?
pages showing the changing of the light over the course of the book…contrasts: the Giant ‘in an old book’ and ‘in real life’...
The Giant, by Sophie Masson and Lorena Carrington, published by MidnightSun Publishing, August 1, 2025. ISBN 9781922858658. Available in all good bookshops around Australia! You can read a few fabulous early reviews here, here and here.
Today is the publication day of Secrets of the Good Fairy House, my new Pardalote Press production with Lorena Carrington. It’s been a real passion project for us both, and we’re so delighted to see the book out there! We hope lots of readers will take it to their hearts.
The book is available from any good bookshop across Australia, and can also be ordered directly from our Pardalote Press website, here. And to whet your appetite, here’s a beautiful review of the book, by writer and reviewer Ashleigh Meikle, of the popular Book Muse blog.
In this lovely post, Lorena writes about how she created the stunning visual world of the book.
When Sophie asked if I was interested in working on Satin with her, she had barely finished her sentence before I said yes! I love working with her, and the story sounded so beautiful and intriguing. I also immediately had wonderful visions of all that blue… And it perfectly combined two things I’d worked with before. Some of my earliest montage work included shards of willow pattern plates, and I had also been doing a lot of work with cyanotypes, an early photographic process that has the most glorious blue emulsion. And the fact that Satin gathers objects to create his beautiful thing is exactly how I work too! It was perfect.
These are the first sample images I made for Satin, which we sent as part of our book proposal to the wonderful Anna at MidnightSun. They remain essentially unchanged in the final book, though you maybe be able to spot a few differences in the versions of the first image. As you can see, they are built up with layers of photographic images: the buildings, the silhouetted foreground landscape and figure, the bird, distant trees and the full moon against the misty sky… The pair underneath are more painterly. The elements are still photographic, but they are layered over a rich wash of painted cyanotype, giving a textured deep blue.
And here they are in the book:
You’ll find many shards of blue china in Satin, many featuring the famous Willow pattern. Some of my earliest montage artworks were based around that same pattern. The images were made from shards of china I found in my backyard and the local landscape, and the landscapes themselves. Creating the illustrations for Satin felt like a delightful full-circle return to my early work. Here are three examples from around 2009.
The other slightly different element I’ve introduced to these illustrations, are splashes of painterly blue. The ‘paint’ is actually created with cyanotype chemistry, which is painted onto paper, and them exposed in the sun to create a rich blue. It’s wonderful cross between painting and photography, and lets you combine the two in wonderful ways. On this illustration spread, I’ve painted the splotches of blue, and digitally inserted the photographic elements.
I felt such an immediate affinity for Satin. He explores his surroundings, looking for interesting things, so that he can make something beautiful, which is exactly how I work, and Sophie’s extraordinarily beautiful prose made Satin such a pleasure to work on. I really hope you find inspiration and beauty in it too.
Lorena Carrington and I will be celebrating the launch of our picture book, Satin (MidnightSun Publishing)in Sydney on Tuesday March 14, 4pm at the lovely Better Read than Dead bookshop in Newtown. Lorena and I are both coming in person from our respective homes-mine in regional NSW, Lorena’s in regional Victoria–for it, and we’ll be reading the book, talking about how we created it, and of course signing books!
Everyone very welcome, children and adults, you just need to register(it’s all free of course) so the bookshop can have an idea of numbers. Here’s the link, to register.
I am so looking forward to the publication next year of Satin, my forthcoming picture book with the wonderful illustrator Lorena Carrington, to be published by MidnightSun Publishing in March 2023. I am really excited about this book, which came about in the most magical way (which I’ll write about in another post, later), and which I think is going to be just loved by both children and adults.
Here’s the gorgeous cover:
And here’s the blurb:
Every morning early, when no-one’s about, Satin slips out of the forest and walks along the sleepy sunrise streets, looking for blue…
He’s collected all kinds of blues, from all kinds of places. He’s making something beautiful, with all those blues. But something’s missing, and he doesn’t know what it is. And then, one day, he comes to a street he’s never been in before. And what he finds there will change his lonely life forever.
A beautiful, haunting fable by award-winning writer Sophie Masson and acclaimed illustrator Lorena Carrington.
Lorena’s exquisite, superb creation of Satin’s visual world is just stunning in its depth and beauty, conveying a mix of natural enchantment and human warmth which goes right to the heart of the story. (Below is a sneak peek at the first page spread)
I am so happy that Lorena is co-creator with me on this gorgeous book, and so happy too that it was taken on by such a wonderful publisher as Anna Solding of Midnight Sun.
There’s a lovely first review of Magical Tales from French Camelot, by the fantastic book blogger Ashleigh Meikle, on The Book Muse.
Here’s a couple of bits from the review:
Sophie’s retellings are lyrical and emotive, and as she explains in her rationale at the end of each tale, she chose the most powerful moments in each tale to retell, leaving off where she needed to, and at times, explaining the rest of the story and its context within the French canon as well as its relationship to the British stories. Doing this gave an extra layer to the book, and it is the same process Kate Forsyth uses for her Long Lost Fairytales collections as well. In giving readers a history of the tale and letting us know what they have done, Sophie, like Kate, invites us into her world and writing process….
These stories bring part of the Arthurian legends and myth cycle to life for adult and young adult readers, and I loved reading them, loved feeling like I was part of the world that they came from, and loved the beautiful illustrations by Lorena, created with many different aspects digitally to tell the stories just as much as the words did. I find it hard to put her illustrations into words because I think they are the kind of illustrations you have to experience for yourself – they’re just that magical!
Exciting news! The wonderful illustrator Lorena Carrington and I have established Pardalote Press, a tiny Press making small surprising things. We’ve launched a crowdfunding campaign this morning to support our first two projects, Bird’s Eye View and Wayfarer. Bird’s Eye View is a chapbook of words—poetry and prose—and black and white images, which together form glimpses into the world of birds, and the world as seen by birds. Wayfarer is a unique set of sixteen beautiful full colour cards which in words and pictures take you on a journey of mystery, magic and meaning.
You can learn more about the Press and our first two projects on our website, and social media: Facebook and Instagram. There’s also a great little news item about it at Books+Publishing. And here below are a few words from Lorena and I, extracted from that article, as to why we started Pardalote Press:
It was in fact a mock medieval bestiary—published as an appendix to our joint book Magical Tales from French Camelot—which first made us think of the idea of working on unusual little projects. We started with the idea of Bird’s Eye View, and then, later, came the idea for Wayfarer.
We knew these were a bit too left-field to fit into mainstream publishing lists, so decided to create our own tiny press to produce them and other things we might come up with.
So–do check us out, have a look, and if you are interested, we would be very grateful for your support in the launch of this tiny press making small surprising things to help the imagination take flight!
Just before New Year, what a lovely surprise in the mail: a proof copy of Magical Tales from French Camelot, my forthcoming book with the fantastic Lorena Carrington! To be published by Serenity Press in March 2022, it features my original translations and retellings of some great French Arthurian classic tales from the Middle Ages, principally stories by the great twelfth-century French writers Chrétien de Troyes and Marie de France, illustrated by absolutely superb pictures by Lorena. It’s so good to be able to leaf through this first copy–looking wonderful!
By the way, the book is for adults and teenagers–certainly not for ‘7 plus’ as some websites have it.
Illustration by Lorena Carrington for ‘The Boy in the Forest, the Girl in the Wasteland, and the Fisher King’, from Magical Tales from French Camelot.
Feathers of the Firebird 