Delighted to announce that I’m one of the authors included in a gorgeous new poetry anthology for children, A Boat of Stars, edited by Margaret Connolly and Natalie Jane Prior, which is coming out with Harper Collins in February 2018. At left is the gorgeous cover, with illustration by Stephen Michael King. I am thrilled that no less than seven of my poems were accepted for the anthology! And I am doubly thrilled that my poems will be illustrated by some of Australia’s most fantastic illustrators. Very exciting indeed! You can read more about the book on the Harper Collins website.
A poem I wrote a couple of years ago for everyone who loves that amazing yellow beauty…and this year, I’m republishing it to celebrate a truly exceptional year in the wattle stakes!
Sudden bursts of gold,
Sweeping colour bold,
By rivers, by roads, in country and town,
In farms and gardens, the wattle’s the crown.
Of the end of the winter, beginning of spring,
The blooming of wattle will sing and sing
Of birds in their nests and the warm days to hand,
For the wattle is blooming across the land.
Today’s five favourites have been chosen by Meredith Costain.
Ballet Shoes by Noel Streatfeild, with illustrations by Ruth Gervis
I have read this book so many times over the years it is falling apart. It made me long for a life in a genteel inner-city London, one of the three little ‘Fossil sisters’ tenderly cared for by a guardian and a no-nonsense and very proper English nanny, and earning their keep on the stage. The scene where they vow to get their names in history books has stayed with me forever (and set me on the path to becoming a writer). I devoured the rest of her books one after the other.
Little Women by Louisa May Alcott
I suspect I loved this book so much because I identified so strongly with Jo. She spent every spare moment she could reading, writing, crunching apples up a tree or acting out plays with her sisters. I also admired the family’s dogged insistence on making the best out of every situation: the scene where the four sisters are hand-hemming a bed sheet (hemming being something I hated doing myself) and imagining each seam was a new continent to be explored is wonderful.
When We Were Very Young by A A Milne, with illustrations by E H Shepard
We recited a lot of poetry in our house when I was growing up – and this book (along with Now We Are Six) contained some of my favourites: ‘Disobedience’, ‘The King’s Breakfast’, ‘Happiness’ and ‘At the Zoo’. All his writing had such wonderful, matter-of-fact rhythm that went marching through your head. The perfect companion to the perfect Winnie-the-Pooh.
A Book For Kids by C J Dennis
I went to a tiny two-roomed country primary school where our wonderful teacher shared his love of rhythm and rhyme (and the new kids on the block – The Beatles!) with us every day. He introduced us to the poetry of C J Dennis and I still know most of the poems off by heart, particularly ‘Hist!’, ‘The Ant Explorer’, and ‘Triantiwontigongolope’.
The How and Why Wonder Book of Dinosaurs by Darlene Geis, with illustrations by Kenyon Shannon
My brother and I fought for ownership over this book (I’m happy to say I won – it’s currently sitting on my ‘beloved books’ shelf). We spent hours poring over the words and images and had fun trying to pronounce their unpronounceable names (so different to the names of animals we had first-hand knowledge of: cow, dog, chook, rabbit, horse). The blend of hard facts and narrative and its conversational tone made it perfect for young readers desperate to find out more about these fabulous beasts from another world and time.
Finally, just want to add some ‘near misses’: I feel like I will have betrayed these lovely books if I don’t give them a mention as well!
I’m very pleased to report that a poem of mine for children, Paddock Life, has won third prize(poetry category) in well-known children’s poet Jackie Hosking’s annual Poetry and Stories in Verse Competition, the results of which have just been announced!
Congratulations to all the prize-winners and highly commendeds, and many thanks to Jackie for running the comp and always supporting poetry for children!
Below is my poem. Hope you enjoy.
by Sophie Masson
She has all the morning alive in her throat,
Silvering the air with a fresh stream of notes,
She’s dressed for a show in her black and her white,
And her song will remain even when she takes flight.
The spiders spin their silk all over the place
Patiently weaving fine patterns of lace,
Turning grass clumps to cities and fences to art,
As they work and they wait and they prowl and they dart.
Over the fence, look! There he goes,
That famous acrobat striking a pose!
Up on two legs, then down on four,
And with the tail, he adds one more.
Blue tongue lizard
From his home in a log the blue tongue clumps out
Like a mini dinosaur he stomps and stalks about,
His tongue flicking in
His tongue flicking out.
Knee deep in grass, in the bright golden day,
The cattle are making their very slow way
Down to the dam where they’ll drink and they’ll chew
And they’ll stare and they’ll dream the whole day through.
Today I’m taking part in an unusual kind of blog tour–highlighting a poem that was considered but not in the end accepted for the fabulous US-published children’s poetry anthology One Minute till Bedtime, chosen and compiled by prominent US poet Kenn Nesbitt. It’s the idea of well-known children’s poet and fellow Australian contributor to One Minute till Bedtime, Jackie Hosking–an unusual way of highlighting the poetic richness that’s out there!
The poem of mine that’s been chosen for the anthology is called Seagull Beach Party, and you can read it in the anthology–but this one, Windmills, though it wasn’t chosen, is still one I am pretty happy with! It was inspired by seeing heaps of the ‘white giants’ on a visit to Scotland.
by Sophie Masson
The giants on the hill paddle in bright air,
Eddies of fine cloud flying everywhere.
A gust of wind excites them as they gather in the crop;
A sunny stillness quiets them, their arms go slow, then stop.
In humming rows they stand,
White giants across the land,
Waiting for a breeze to blow,
Waiting for a chance to show
They can thresh the wind without a care,
And harvest and mill the breath of air,
To turn into heat and light,
Far away and out of sight.
In humming rows they stand,
White giants across the land,
Looking across the seas,
Waiting for the breeze.
In 2014 I and many other writers received a lovely and unexpected invitation from prominent American children’s poet Kenn Nesbitt, asking if we would be interested in submitting poems for an anthology he was compiling, One Minute Till Bedtime, which would also include such contributors as Jack Prelutsky, Jon Scieszka, Jane Yolen, and Lemony Snicket. Talk about great company! And I was so thrilled when Kenn accepted my poem, Seagull Beach Party.
Two years later, and this week sees the publication of One Minute Till Bedtime. Containing the work of many poets from the US, UK, Australia and Canada, selected by Kenn, and beautifully illustrated by Christoph Niemann, the book is published by Little, Brown and is available around the world, including Australia. To celebrate its publication, I spoke to Kenn about the project, his own career, and children’s poetry in general.
First of all, congratulations on the publication of One Minute till Bedtime, Kenn! It’s lovely to see it out there. How did you come up with the idea for this unique poetry anthology?
Many years ago, the poet Bruce Lansky pointed out to me that most children’s poems can be read in an average of about one minute. Since then, I have tried to encourage teachers to take one minute of their school day to share a poem with their students.
When I was named Children’s Poet Laureate, I decided to create a website called PoetryMinute.org to give teachers a resource where they could easily find one-minute poems to share with their students for every day of the school year.
While I was in the process of creating this site, I was approached by Susan Rich at Little, Brown Books for Young Readers about creating a book around this idea of one-minute poems. She and I decided that bedtime might be the perfect time for a book of short poems, and One Minute till Bedtime was born.
The contributing poets come from around the world. How did you go about sourcing poems for the anthology?
Over the years that I have been writing children’s poems, I have developed relationships with many poets throughout the US, Canada, the UK and Australia. I called on many of these authors, and reached out to lots of other poets whose work I admire. Thank goodness for email and the Internet. A project like this would have been much more difficult 20 years ago!
With its wonderful poems, lively illustrations by Christoph Niemann, and attractive design, One Minute till Bedtime is a most appealing book for children and their parents. And obviously there’s a lot of work behind it. Can you tell us a bit about the process of putting together such a big project with the publisher, Little, Brown?
To begin, I wanted to create a collection that focused on the work of living, working children’s poets, rather than reprinting classic and public domain works. So I sent out a call for submissions to over 200 poets from around the world, looking for brand new poems that had never before appeared in print. I received submissions from roughly 170 different authors. I read them all, highlighting the ones that I thought might work. Once I knew which poems I wanted to include, I printed them all out and spread the papers around my dining room table, looking for natural pairings between poems and organizing them into sections.
Along the way, I tracked everything with spreadsheets, including submissions, selections, the order of the poems, and so on. While I was doing this, Little, Brown was on the hunt for just the right illustrator. Christoph Neimann was a truly inspired choice. His simple, yet incredibly clever illustrations compliment the poems perfectly.
Once the manuscript was completed, Little, Brown began working with Christoph on the illustrations and with me on the process of proofreading, editing, typesetting, and troubleshooting.
In the end, it all came together beautifully. I couldn’t be more proud of this book.
You are a popular and much-published poet. Can you tell us something about your own career, and how you started? What do you think has changed, if anything, over the time you’ve been published, in terms of attitudes to poetry for children?
I began writing poems as a hobby for my own amusement. I wrote for several years before I ever considered trying to get published. I also created a website, poetry4kids.com, in 1997 to share my work with readers online. I had my first poems published in 1998 in an anthology called Miles of Smiles. My first book, The Aliens Have Landed at Our School! was published in 2001. Since then, I have written many more books of children’s poetry, as well as a couple of picture books and a chapter book.
It seems that there are more poets writing for children today than ever before. At the same time, there are fewer individual poetry collections being published. Many children’s poets have instead turned their talents to writing picture books, novels in verse, etc. Large hardcover collections, such as those of Shel Silverstein and Jack Prelutsky, are becoming rare as hens’ teeth. Recent books by Alan Katz and Calef Brown are notable exceptions.
It is my hope that One Minute till Bedtime will not only introduce a new generation of parents and children to the joy of poetry, and showcase the works of today’s best children’s poets, but will also show publishers that poetry is worth pursuing.
You are the US Children’s Poetry Laureate and a tireless advocate for poetry. Why do you think poetry is so important for children? And what more do you think could be done to enhance children’s access to poetry?
I was the Children’s Poet Laureate from 2013-2015. Although I’ve passed that torch to my successor, Jacqueline Woodson, I continue to promote poetry to children, parents, and teachers around the world.
I believe poetry is important for children because it is short, fun, and memorable. (Everyone remembers something by Mother Goose, Dr. Seuss, and probably several other poets of childhood.) This combination makes poetry an easy springboard to reading and writing. Introducing children to poetry can help make them lifelong lovers of the written word.
The best champions for poetry are the earliest ones; parents and teachers. I believe the best way to enhance children’s access to poetry is to encourage parents to read to their kids, and to ask teachers to share poetry in their classrooms. Once they do, they will find that kids can’t get enough.
Below is a poem, “The Fur and Feather Sailing Club”, that I probably wrote when I was about 19 or 20. I forget exactly. It was certainly before I had had anything professionally published.
Along the beach, the band in tartan trews;
The car park overflowing with Mercedes Benz and Jags,
Inside the briefing room, the anxious crews.
The myriad spectators sniffed the breeze and sipped champagne,
While their darling little children swallowed Coke,
And no-one seemed to notice, down a long-forgotten lane,
A dusty, dirty, battered Mini-Moke.
READ THE FULL POEM HERE : The Fur and Feather Sailing Club
Stephen Whiteside has been writing rhyming verse for many years. He writes for both adults and children. Many of his poems have been published in magazines or anthologies, both in Australia and overseas, or won awards. He has also self-published several volumes of verse.
In 2014, Walker books Australia published a collection of his poems for children, “’The Billy That Died With Its Boots On’ and Other Australian Verse”. In 2015, the book won a Golden Gumleaf for “Book of the Year” at the Australian Bush Laureate Awards during the Tamworth Country Music Festival.
Stephen is a great admirer of the Australian poet C. J. Dennis. He is President of the C. J. Dennis Society, and a key organiser of the annual Toolangi C. J. Dennis Poetry Festival. The festival is held in October every year at Dennis’ former home in Toolangi, a small hamlet in the wooded hills 65 km east of Melbourne. In 2016 the festival will be celebrating the centenary of the publication in 1916 of “The Moods of Ginger Mick”.