Short overview video about my life in writing and publishing

I’ve just uploaded a short video I made, based on some presentations I’ve made recently, which is a bit of an overview of my life and career in writing and publishing. Hope you enjoy…

The original background music by the way is by my very talented son Bevis Masson-Leach, aka music producer Papertoy.

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Interview with Sandra van Doorn of Red Paper Kite

Today I’m delighted to bring you an interview with Sandra van Doorn. I met Sandra and her husband Edward at last year’s Independent Publishing Conference in Melbourne and we had a great time chatting about books, publishing, creative work, and France!

Sandra is a French illustrator who has had books published in several different countries, including the award-winning Sleep Well, Siba and Saba (written by Nansubuga Nagadya Isdahl). Born and brought up in France, then globetrotting to the UK, USA, Russia, Europe she’s now living with her husband Edward in sunny Perth, Australia.

But now Sandra is embarking on a brand-new adventure. She is the founder and publisher of Red Paper Kite, which will exclusively publish picture books, and is launching its first title (Hugo) in May 2019.

Sandra, can you tell us about how you came to establish Red Paper Kite? 

The idea of creating a small press for picture books simply came from a need for more creative space and professional growth; publishing picture books felt like a natural evolution from being an illustrator.

As someone who has also done the ‘double act’ of creator and publisher, I know it’s a steep learning curve, setting up a publishing house. How’s the journey been so far for you?

You are right it is a very steep learning curve!

And it can be overwhelming at times.

As a tiny press, I juggle many facets of the business on my own. Finding the right information is not always easy, you find yourself constantly asking “Am I making the right decision?”

But you do knock on a few doors, and meet amazing people along the way, people who are genuinely interested in making your journey easier. People like you Sophie!

I feel grateful for the support I have received from within the industry – particularly my publisher in the UK (Lantana Publishing), who has been very generous in sharing their journey as a small publisher.

But in truth part of the adventure is figuring things out.

What can you tell us about RPK’s Books?

When I was a child, I used to scribble in all my books. It got me into a lot of trouble, but I firmly argued it was meant to be that way. I wanted that idea to translate into our books by creating books that give permission to our readers to scribble and add to the narrative. So, all our books include colouring pages.

Our readers become the illustrators and authors for a moment, they are part of the story. They can stay with our books a little longer, get to know our characters a little better … It’s a fun experience.

Visual narratives can be understood across the world, but of course different cultures have different approaches to illustration and picture books. What are the differences (and commonalities) that you see between, say, French and Australian picture book traditions and trends? (Please do mention any other picture book cultures you might like to as well!)

In France picture books are more than a childhood phase – there is a love for visual art rooted in our culture that goes beyond age, and so we are huge consumers of picture books – even in our adult life whether you have children or not.

Our cultural heritage definitely influences our approach to illustration; our illustrations can be more poetic, sentimental and censorship is a little broader in France.

But rather than comparing, we can choose to embrace and mix all those differences, aiming at creating a richer reading experience. Because really, who wants to read the same type of books over and over?

What are you looking for, in terms of both texts and illustrations, for Red Paper Kite?

There is no perfect profile, but we are curious about authors and illustrators who don’t feel too mainstream. A little fun, a good dose of quirkiness. Stories that reflect the world we live in.

Stories that will appeal to grown-ups too. A story within a story.

I guess we love stories and people with that little “Je ne sais quoi”.

 You will be launching the first Red Paper Kite book in May can you tell us a little about it?

HUGO – The boy with the curious mark, (written by Yohann Devezy and illustrated by Manuela Adreani) is coming out in May.

It’s a sweet story about a boy born with a curious mark, a rainbow.

Hugo’s Rainbow broaches a theme that gets revisited over and over, but with a contemporary edge to it.

His story will teach the importance of acceptance no matter what your difference.

You will love HUGO. Because really, who doesn’t like a rainbow?

How has starting a publishing house impacted on your career as an illustrator? (Or how do you see it impacting it?)

Well … I miss my drawing table!

Hopefully I will get an opportunity to draw again. I still hope to illustrate a few classics, such as Alice in Wonderland or Le Petit Prince.

Can you tell us something about your work as an illustrator, and the books you worked on? How did you start as a professional illustrator?

My career as an illustrator started when I was living in Vancouver, Canada.

I decided to attend art classes at Emily Carr’s University, and Paper Hearts – my first picture book project – was picked up for publishing. It was the beginning of an amazing (and sometimes wonderfully hard!) journey.

After that, I was lucky enough to meet Alice Curry (Lantana Publishing) via the Bologna Children’s book fair which led me to illustrate books about Uganda. It was a wonderful experience, pushing boundaries professionally and culturally – sitting at my desk, I was travelling and discovering a part of the world I didn’t know much about.

Meanwhile another publisher in Greece contacted me and that’s how I worked on texts I couldn’t even read!!

What illustrators have influenced you–from childhood to now?

My all-time favourite is Lisbeth Zwerger– her work is pure poetry and her talent is beyond words.

And then you cannot go past Rebecca Dautremer, Manuela Adreani, Benjamin Lacombe, Elodie Nouhen and Anne Herbauts.

 

New site for my writing and publishing presentations

Some exciting news: I have a brand-new site, Sophie Masson Presents, focussing on the presentations I can offer to schools, libraries, writers’ centres, writers’ groups, teachers’ and librarians’ associations, and festivals and conferences, amongst others. These range from author talks to workshops on writing and publishing, aimed at different ages and interests. The site features pages on each type of presentation, with sample themes and topics listed, but presentations can also be tailored for individual requirements.

You can book directly through the site or through booking agents I also work with. There’s also a calendar of already-booked events to help with planning schedules.

 

‘Going over to the other side’ available on open access now

For anyone interested, my book chapter, ‘Going over to the other side-the new breed of author publishers’ which was published in the book ‘Publishing Means Business’ (Monash University Publishing, 2017) is now available through Monash on open access.

The rest of the book is also available, see here. You might also be interested to know that Chapter Two, by Dr Jan Zwar, explores some of the research findings from my 2014 book, The Adaptable Author. 

 

 

Pitch Independent a fantastic success!

As one of the three co-ordinators for the New England Writers’ Centre’s big Pitch Independent program, I am happy to report that it was a brilliant success! The prep day two weeks ago went really well, with lots of people getting advice and practising their pitches in front of local publishing professionals. And last weekend, we hosted a fantastic lineup of some of Australia’s best small and independent book publishers and literary magazine editors, who participated in a lively and engaging symposium, heard lots of one-on-one pitches from writers in all genres as well as illustrators, and generally gave generously, and warmly, of their time, knowledge and expertise.

It was an inspiring, creative and fun weekend, and we are so grateful to all who participated–publishers, editors, pitchers, presenters, attendees, and University of New England staff and students. All of our participating publishers and editors came from a long way away, in some cases a very long way, from Western Australia, South Australia, and Victoria as well as various locations in NSW, and we are so very appreciative that they were willing to travel to our region. Thanks very much to all the people who supported Pitch Independent by attending the symposium, and/or pitching their work–we know it takes courage and we salute you for it, hope you felt encouraged, and wish you the very best for your work, whatever the outcome of your pitch. Big thanks goes to UNE for their generous and major support of the event, financially, promotionally and with venues; to the Small Press Network for its kind support and encouragement–and to SPN Chair Michael Webster for making the long trek from Melbourne to speak at the Symposium–and to the Armidale Bowling Club for sponsoring the great  venue for Saturday’s big pitch day. And of course huge thanks to the New England Writers’ Centre and all my fellow Board members who supported the creation of this event in so many ways. And to my fellow co-ordinators, John C.Ryan and Catherine Wright–hurrah! We made it! And it worked so well, worth all the hard work and all that midnight oil we burned 🙂

Pitch Independent was a unique event–nothing like it, with its focus on bringing creators and small and independent press and literary magazines together–has ever, to or knowledge, been held in Australia before. And the response has been amazing, from all, publishers, editors, pitchers, and attendees alike. It was a massive amount of work, but I am so proud to have been involved in initiating an event that we think people will be speaking about for a long time, and which will have a significant impact. We intend to continue building on the fantastic momentum created by Pitch Independent–watch this space!

UQP’s 70th birthday and my gratitude to them!

Just heard today that it’s UQP’s (University of Queensland Press)70th birthday this month–and wanted to celebrate this great achievement of a great publisher by thanking them for launching me on my career as a published author–in more ways than one!

My very first published book, The House in the Rainforest, an adult novel set on the North Coast of NSW in the 1970’s and ’80’s, was published by UQP in April 1990. I will never forget the day I got the letter of acceptance from the late and greatly missed UQP editor Roseanne Fitzgibbon! (It was an amazing year, because just a few weeks after hearing from UQP, I got a letter from the then publisher at Angus and Robertson, Brian Cook, accepting my first children’s novel, Fire in the Sky, a time slip novel which was published in June 1990)

UQP also published my very first young adult novel, Sooner or Later (1991), an event which came about after the then editor of UQP’s YA list, the wonderful Barbara Ker Wilson, had written to me whilst The House in the Rainforest was being edited, to ask if I had any ms suitable for that age group: she had really liked the voice of my main character Kate, who, when the book starts, is sixteen years old. Barbara felt it was a very authentic voice and she wondered if I had anything that might work. Well, I as it happens, I did have a ms which had grown out both of living at the time in a small Australian country town and also losing my beloved grandmother back in France. I was pretty excited at being actually encouraged to send it in! So I sent it, Barbara and the UQP team loved it, and it was published in 1991.

I had another two YA novels books published by UQP after that–A Blaze of Summer(1992), which unlike the other two was set in France, and had supernatural/fantastical elements; and The Sun is Rising(1996), a companion novel–though not, strictly speaking, a sequel–to Sooner or Later.

I went on to have books with quite a few other publishers after that–but I will never forget the debt I owe UQP. From a very grateful author: happy 70th birthday to a wonderful publishing house–and may there be at least another 70!

Exciting See Monkey first reveal of draft copy!

It was so exciting today to meet over a very convivial lunch with the fantastic Kathy and Peter Creamer from Little Pink Dog Books and be handed a draft copy/dummy book of See Monkey, my forthcoming picture book with Kathy, to be published by Little Pink Dog Books in early June next year. Here, with their permission, is a bit of a sneak peek at a few elements. I couldn’t be more thrilled with the warm, lively and funny visual world Kathy has conjured up to bring my text to full colourful life and can’t wait to see the book out next year!

(By the way the finalised book will be in hardcover–and the photos don’t do the final colours justice)