Cover reveal for A House of Mud!

I am absolutely delighted to be able today to reveal the gorgeous cover of A House of Mud, my picture book with the fabulous Katrina Fisher, to be published by Little Pink Dog Books in July 2020. Isn’t it just wonderful!

Here’s the blurb:

Building a mudbrick house is an adventure for everyone—Mum, Dad, kids and even Tess, the family dog! Heading out to the block to help make bricks, seeing their house take shape week by week, the children decide that Tess needs her own house too…

With warmth, sensitivity and liveliness in words and pictures, this book recreates the fun–and work!–of a special family experience, building your own unique house.

On the Little Pink Dog Books site, you can also see a few beautiful images from inside the book.

This is a very special book for me, as it’s inspired by our family’s real-life experience many years ago of building our own beautiful mudbrick house (which my husband David and I still live in), by hand, from scratch, and using clay from our own block. And our three lively young children and lively young dog Tess were very much involved at many stages of what was quite a long process (somewhat speeded up for the purposes of my text, of course! )

The book itself has had a long gestation–much longer than the house itself in fact 🙂 It first saw life in an earlier form as a short story in The School Magazine (which was illustrated by the lovely, sadly missed Kim Gamble) and which I then later rewrote and edited and tweaked several times till it was just right as a picture book text: or so, I am very happy to say, thought the wonderful Peter and Kathy Creamer from Little Pink Dog Books, who loved it as soon as they read it. And they found the perfect illustrator in Katrina, who has conjured a beautiful, touching and fun visual narrative–look forward to showing readers a couple of samples from the pages once they are ready!

Here below are a few photos from the actual family mudbrick building experience…including, of course, the children, Pippa, Xavier and Bevis, now of course all grown up–and Tess, who lived a happy long life but who passed on quite some years ago and is now immortalised in this book…

Guest post by Simon Groth on crowdfunding an innovative book project

Imagine… ‘a novel with twelve chapters that can be shuffled into any order, yet will always present as a cohesive story arc.’

Imagine… ‘a print run where each individual copy contains chapters that have been arranged at random, each one a unique version of the story, created just for you.’

Imagine…’a story with nearly half a billion possible combinations, with each copy being one of a kind, yet all of them telling the same story.’

Imagine…Ex Libris, an extraordinary, innovative book project which can be supported right now in a crowdfunding campaign. The brainchild of writer and publishing professional Simon Groth, Ex Libris promises to be both a fascinating literary/publishing experiment and an intriguing reading experience.

I’m delighted to be bringing readers today a guest post by Simon about the experience of crowdfunding this innovative project. Enjoy–and consider supporting the campaign!

Talking to an imagined audience

by Simon Groth

It was late. It had been a long day at work, but now all was quiet. My family slept or futzed around on phones upstairs. I had set up the microphone and my phone on a tripod. I was ready to start talking to myself.

Well, not myself exactly. Talking to an imagined audience is something I am familiar with, after all it’s what I’m doing right now writing these words. I just don’t normally do it out loud. I had prepared a script that ran for about three and a half minutes that I more or less memorised. I just had to deliver it. Emote. Make it sound casual. Shoot it straight down the lens.

This wasn’t my first attempt. I’m not a natural in front of the camera and, a couple of weeks prior to this, I enlisted a friend to help me. She had an SLR camera and put together a nicely framed and lit version of an almost identical speech. The experience was crucial in helping me find my feet, but I wasn’t satisfied with the performance. I looked uncomfortable, aware that I was using up someone else’s time with take after take. I also wanted to tweak the text, now I heard it back in my own voice. So I made the decision to try again in my own time and keep going until I had something closer to what I needed.

I have gained a whole new appreciation for what actors do. I had to take breaks every now and then. After a while, I stopped counting takes. I repeated the same phrases over and over, trying desperately to make it sound like I was just talking off the top of my head. I don’t know if I succeeded in this, but the video that resulted seems to be doing its job.

All of which is a long-winded introduction to the crowdfunding campaign I have just launched. Wait, what? I haven’t told you about it yet? Let me correct that for you.

Ex Libris is a book containing chapters that randomly change their order with every copy made. Yeah, very much my kind of novel, right? It’s a story that has nearly half a billion possible combinations and the campaign is looking to launch a small print run where every copy is a unique artefact. Check out the campaign here.

Though I’ve supported a few, I’ve never attempted my own crowdfunding campaign before. Partly this is because I correctly anticipated the gut-wrenching fear of failure that now pervades my every waking moment. But it’s also because, until now, I never had a project that had quite the right fit for it. The relationship between reader and writer is always intimate, but the knowledge that your copy is a text that exists for you alone paradoxically makes you want to find other readers to compare your experience with. It builds a community around its story. What better project to bring to a platform dedicated to raising community support?

Distilling a story with a complicated structure and a lot of interweaving characters and events into a three-minute video is difficult enough, but in this case the story has to also make way for an explanation of how the book itself will be made. It’s a lot of information to cram in while at the same time making the message as intriguing and compelling as possible, the linguistic equivalent of an acrobatic routine. But the response to the project so far has been wonderful and generous, so I’ll take that as a good sign that the pitch communicates well. To push the metaphor, we’ll see in the next few weeks if I stick the landing.

But all this was in future on that late Tuesday night as I adopted my most confident voice, stared down my phone, and repeated myself for hours. At one point, my son came downstairs.

‘Who are you talking to?’ he said.

‘No one,’ I said. ‘And everyone.’

 

The crowdfunding campaign for Ex Libris is underway until 25 November 2019.

https://www.pozible.com/project/ex-libris

Simon Groth is a writer with books, stories, and articles published in Australia and internationally. His most recent book is Infinite Blue (with Darren Groth, Orca 2018). He has also created a series of experimental publishing projects including the 24-Hour Book and stories publishing to billboards.

simongroth.com

 

Some photos from the 2019 HNSA conference

Over the weekend, I was at the biennial conference of the Historical Novel Society of Australasia(HNSA) which this year was held in the pleasant and spacious surroundings of the University of Western Sydney’s Parramatta South campus. It was a fabulous weekend, with a program filled to the brim with brilliant speakers and thought-provoking presentations, as well as excellent food and a collegial, convivial atmosphere, an excellent conference bookshop, great organisation, many catch-ups with friends, including fellow writers, meeting new people too–and witnessing some great demonstrations of armour and fencing! Here are some photos from the three days of the conference–and congratulations to all the HNSA team for a truly exceptional conference-I was proud to be involved.

 

A beautiful and astonishing example of serendipity

Sometimes, life can hand you a beautiful example of serendipity, a gift of simple grace and joy, which makes you feel connections across time and place that are just spine-tingling…Such a thing happened to me just recently, something which connected my childhood scribbling self with my present scribbling self, in the most unexpected of ways. It’s a whole story in itself, so in order to do it justice, I have to start with some context, with some scene-setting, before I move to what happened in the present day…

So, in an entry in my diary, written as a 12 year old (a diary I still have), there’s a mention of a book I was writing, titled The Twins’ Highlands Holiday. Everything in the entry except for that title is written in French (as indeed it is in the rest of the diary); but the English title clearly showed that I had ambitions for a fiction readership beyond my immediate family 🙂  And it also showed clearly the influence of one of my favourite writers at the time, Enid Blyton. I especially loved her mysteries series, the Famous Five and the Secret Seven, but also her story anthologies which could be consumed in bite size pieces(though being a voracious reader, I never stopped at one bite!) My parents rarely bought new English-language books for us(that was reserved for French-language titles, like Tintin, Asterix, Alexandre Dumas, Jules Verne etc); So most of those books I borrowed from the library or occasionally we might find some in second-hand shops, like the legendary White Elephant in Chatswood which my mother took us to during the holidays(we lived in Sydney’s North Shore area) and where we children might be allowed to select books to take home(she also loved rummaging amongst the shop’s astonishing mass of books, records, old china, curios, records, vintage clothes etc).

I had come across the entry in that old diary earlier this year, in preparation for an essay I was writing; and I thought then, I wish I still had that story! But it had vanished long ago, and all that remained was the title, a title straight out of Blyton, though maybe not the Highlands part, for that very English writer. As a twelve year old I had never been to the Highlands, though I loved stories set there(I’d also read and loved Robert Louis Stevenson’s Kidnapped, a very different kettle of fish to Blyton, of course!) So I’d combined twins and holiday–very Blyton–with a whiff of adventure in the heather, a la Robert Louis Stevenson. I don’t recall anything about the story or what happened in it..but seeing it mentioned there in the diary(mentioned in more than one entry actually, as I diligently reported progress on writing it) made me remember the sheer excitement of writing as a child, copying my favourite authors but doing it all in my own way.  And I thought, I know the Highlands bit came from Stevenson, but I wonder which Blyton it was which inspired the rest?  Oh well, probably a mix of several, I thought.

The Twins’ Holiday Holiday went into the essay. And that was it. Except it wasn’t. The astonishment, the serendipity, was still to come. A few weeks ago, I received a direct Facebook message from a fellow author, Pat Simmons. I hadn’t met Pat in person, but I did know her work: and had recently bought her latest lovely picture book, Ziggy’s Zoo(illustrated by Vicky Pratt) for some dear little people in my life. Anyway, Pat had messaged me about something she’d found, quite by chance. A book. An Enid Blyton anthology, called ‘The Holiday Book’, with a name, address, telephone number and date carefully written on the flyleaf, obviously by the proud owner. And here I’ll pass the story over to Pat herself, to explain:

My local ‘op shop’ sits close to the bus stop in Thirroul. A bus stop I frequently use when travelling home to Scarborough. As the buses almost always run late, I often have time to browse the ‘op shop’ and seek out treasures.

A few weeks ago, I spied a book of Enid Blyton short stories, sitting all by itself on a high shelf. Inside the book I read a name and address. Definitely not a local address and, seemingly, written some years ago. The name was ‘Sophie Masson.’

Could it be THE Sophie Masson I wondered? I took a photo of the inscription and messaged it to Sophie. She confirmed that the book had indeed belonged to her some years ago.

It was great to return the book to its original owner and to ponder on the book’s journey.

I could hardly believe it as I looked at the photos Pat had sent. It was definitely my handwriting as a 12 year old (just the same as in the diary!) and it carefully noted my name, address, phone number(which I still remembered by heart as we’d had it drummed into us by our parents, in case we ever got lost!) as well as the place and date we’d bought it–the W.E., Chatswood, the White Elephant of course, and in May, only a few days after my twelfth birthday. So it was already second-hand when we bought it, but I had clearly loved it and put my mark on it.

I was so excited! And even more so when Pat very kindly sent the book to me, and opening it, I was suddenly plunged back into the world of my childhood, not only because of the stories, the pictures, and my owner’s inscription–I was sure now that this was the book that had inspired the Blytonesque part of that story I’d written as a twelve year old–but also  because of something else written on the page facing the flyleaf. ‘Taken out By’ it read in my writing: and underneath a stamp somewhat shakily reading L M. I knew at once who LM was of course; my younger brother, Louis. And he, along with my other siblings, had been one of the visitors at the ‘library’ I ran with attempted firmness at home, acting the part of the librarian, complete with stamp (I just loved those stamps!). Very likely that my cheeky rebel of a brother broke every library rule I attempted to impose, but he had clearly meekly submitted to being stamped into Enid Blyton’s Holiday Book (I showed it to him next time I saw him of course, much to his amazed amusement!)

What a journey indeed that book must have gone on over the decades since I had first held it in my hands and officiously stamped it! It had not followed me from childhood into adolescence; my mother must have got rid of it, along with other books we had outgrown, when we left home, or when she and my father left Australia to go back to France. She would have given it to another secondhand shop, no doubt, but in northern Sydney somewhere–but how it had ended up on the South Coast, in Pat’s neighbourhood op shop in Thirroul, a little battered but still in remarkably good shape, considering, is a mystery. I presume other children along the way, maybe several other children, had enjoyed and loved it, or it would not have stayed intact. As to me, I had forgotten it, until that moment when I read Pat’s message. Yet I had written my name and contact in it so carefully, obviously fearing that I might lose it, and trying to ensure that it would find its way back to me.

Which of course, eventually, it did….

And I’m still feeling that rush of pure, simple pleasure about the lovely serendipity of it all.

 

Conferences, exhibitions, launches: a very busy few weeks coming up!

Later this month and into next month, I am going to be having a very busy and very interesting literary time!

First up is the wonderful Historical Novel Society of Australasia Conference, which this year is being held at the University of Western Sydney in Parramatta, Sydney, from October 25 to 27. The biennial HNSA conference is one of my favourite literary events: there’s always really interesting speakers, a fabulous program, and a warm, collegial atmosphere. This year’s certainly no exception, and I’m privileged to be involved with the Conference in several ways: as a speaker, a workshop presenter, judge of the HNSA short story contest, and, a great honour, being the Conference Patron as well. Looking forward so much to it! Tickets are still available for this fantastic event, so check out the program here.

Next up is the Artstate Festival, to be held in Tamworth, October 31 to November 3. I’m involved in this in several ways, as an author, a small-press publisher, and a contributor to an anthology and an exhibition, both of which will be launched in Tamworth during that time. On October 31, wearing my Christmas Press hat, I’ll be participating, with my Christmas Press partners as well as  fellow local publishing house Little Pink Dog Books, in the Creative Hot Spot Publisher Pitch Day, which will give children’s writers and illustrators an opportunity to pitch work to one or both publishing houses.

That evening, I’ll don my author hat again, as a contributor to the fabulous anthology Dark Sky Dreamings: An Inland Skywriters Anthology, which is themed around people’s relationship with the sky in all its aspects, and which will be launched at a great astronomy-themed event, in conjunction with the Tamworth Regional Astronomy Club, at Bicentennial Park in Tamworth at 8.30 pm: telescopes and stars will be a feature of this unusual launch!

Then on November 1, I’m speaking at an Artstate/Arts North West event called Authors’ Cafe, where authors chat with readers and other interested people about their work. That the evening, I’ll be attending the opening of an exhibition called Art Word Place, which is an Arts North West project, where New England-based writers were paired with New England-based visual artists to create joint works. I’m one of the writers, and I had the good fortune to be paired with the fantastic painter Angus Nivison. His visual response to my poem is just extraordinary! If you’re in the region, come check it and all the other works out, the opening is on at the Tamworth Regional Art Gallery at 5.15 pm on November 1, but the exhibition itself is on till December 8.

There will be other events later in November that I’m a part of, in Armidale, Sydney and Melbourne, but I will write about them later, in a separate blog post. It is certainly a very busy time!

 

Announcing some exciting news!

It’s now official as there’s been a news item in Books+Publishing yesterday so I’m delighted to be able to share this exciting news about the acquisition of my YA speculative fiction novel, novel, The Ghost Squad, by the fantastic publisher, MidnightSun Publishing. This is the novel that I wrote during the three years of my PhD, and it’s a novel very close to my heart–so it’s just so exciting to know it has found its perfect home in MidnightSun!

Below is the article from Books+Publishing, with due acknowledgement to B+P.

Masson joins MidnightSun with spec-fic YA novel

MidnightSun Publishing has acquired world rights to Sophie Masson’s YA speculative fiction novel The Ghost Squad.

Set in ‘an alternative yet jarringly familiar reality’, The Ghost Squad follows 16-year-old Polly after her mother, a respected homicide detective, goes missing and she is subsequently catapulted into a very different world.

MidnightSun director Anna Solding called The Ghost Squad ‘an exciting hybrid narrative that blends realism with the disorienting atmosphere of speculative fiction, mixing elements of detective fiction and ghost stories’, adding that she is ‘very excited to have Sophie Masson join the MidnightSun family with this gem of a novel’.

‘With a highly original plot premise, vivid characters, intriguing world-building, and twists and turns, The Ghost Squad is a novel that will keep readers guessing—and keep them awake at night!’ said Solding.

Masson said: ‘The Ghost Squad is a novel which isn’t easily categorised. It takes risks with an unsettling theme and genre-bending narrative yet is also immediately immersive: a book close to my heart … I’m so thrilled that is has been acquired by MidnightSun Publishing because I know that here, in a publishing house which is open to the bold and the unusual story but which also never forgets the reader, my novel has found the perfect home.’

Masson is founder and publisher at NSW-based children’s publisher Christmas Press, and the author of more than 60 novels, mostly for young adults and children. Earlier this year she was made a Member of the Order of Australia for her ‘significant service to literature’ as an author and publisher, and through her roles with industry organisations including the New England Writers Centre and the Small Press Network.

The Ghost Squad is scheduled for release in February 2021.

 

Category: Junior Local news Rights and acquisitions