Come celebrate my double launch!

You are invited to come celebrate the launch of two of my new books!

 Jack of Spades, a historical thriller for young adults with cover and illustrations by Yvonne Low (Eagle Books)

To be launched by Pamela Freeman

AND 

Once Upon An ABC, a glorious picture-book romp through fairytale and folklore, illustrated by  Christopher Nielsen (Little Hare)

To be launched by Paul Macdonald

When: Saturday March 18, 2pm

Where: The Children’s Bookshop, 6 Hannah St Beecroft, 2119

Yvonne Low, Christopher Nielsen and myself will be in attendance to sign books.

Hope to see you there!

My prize-winning poem, Paddock Life

I’m very pleased to report that a poem of mine for children, Paddock Life, has won third prize(poetry category) in well-known children’s poet Jackie Hosking’s annual Poetry and Stories in Verse Competition, the results of which have just been announced!

Congratulations to all the prize-winners and highly commendeds, and many thanks to Jackie for running the comp and always supporting poetry for children!

Below is my poem. Hope you enjoy.

paddock-life-pic

Paddock life

by Sophie Masson

Magpie

She has all the morning alive in her throat,

Silvering the air with a fresh stream of notes,

She’s dressed for a show in her black and her white,

And her song will remain even when she takes flight.

Spiders

The spiders spin their silk all over the place

Patiently weaving fine patterns of lace,

Turning grass clumps to cities and fences to art,

As they work and they wait and they prowl and they dart.

Kangaroo

Over the fence, look! There he goes,

That famous acrobat striking a pose!

Up on two legs, then down on four,

And with the tail, he adds one more.

Blue tongue lizard

From his home in a log the blue tongue clumps out

Like a mini dinosaur he stomps and stalks about,

His tongue flicking in

His tongue flicking out.

Cattle

Knee deep in grass, in the bright golden day,

The cattle are making their very slow way

Down to the dam where they’ll drink and they’ll chew

And they’ll stare and they’ll dream the whole day through.

 

 

If you love historical fiction…

historical-novel-society-ustraliaYou can’t miss the 2017 Historical Novel Society Australasia’s conference, which will be on in Melbourne on September 8-10! I have the honour of being 2017 Conference Patron and will also be a speaker there, joining a fantastic list including  Kerry Greenwood, Kate Forsyth, Robert Gott, Sulari Gentill, Juliet Marillier, Felicity Pulman, Arnold Zable, Hanifa Deen, Meg Keneally, Ngahuia te Awekotuku, Pamela Rushby, Kim Kelly, Gary Crew, Gabrielle Wang, Pamela Hart, Wendy Orr, and many more!

The theme of the Conference is Identity: Origins and Diaspora and the program is packed with thought-provoking and lively discussions, super sessions, manuscript assessments and an academic program. Social events include an opening reception and conference dinner. There’s also two fabulous contests: the HNSA Short Story Contest, sponsored by Eagle Books and HNSA, boasting a $500 prize; and the First Pages Pitch Contest.

Early bird registrations are now open, and the full program is available here.

A double launch for me!

 

I am delighted and excited to announce that two of my upcoming books will be launched in Sydney on Saturday March 18, 2 pm, at the gorgeous Children’s Bookshop in Beecroft!

The two books are my novel for older readers, Jack of Spades, whose lovely cover and internal illustrations are by Yvonne Low, published by Eagle Books; and Once Upon An ABC, my picture-book with the fabulous illustrator Christopher Nielsen, published by Little Hare. Both books are released in April, but we’re doing a pre-release celebratory launch! Jack of Spades will be launched by fellow author Pamela Freeman while bookseller extraordinaire Paul Macdonald will do the honours for Once Upon An ABC. Yvonne and Christopher will also be there to talk and sign books with me, it’s going to be a fantastic event. Come join us for the celebration, all very welcome!

launch-jack-and-once-upon

 

The Golden Child: an interview with Wendy James

It’s my very great pleasure today to bring you a fascinating interview with my dear friend and award-winning Australian writer Wendy James who talks about her new book, The Golden Child, an utterly gripping novel which poses the disturbing question: how well do we ever really know our children? Elegantly written, with richly-textured backgrounds and subtly-depicted characters, this is a memorable novel that will have readers talking about it long after they’ve turned the very last page.

 

wendy-jamesFirst of all, Wendy, congratulations on the release of The Golden Child! It’s an extraordinarily gripping novel which is also thought-provoking–and not a little chilling!– in its examination of the challenges of contemporary family life. Can you tell us about how it started, and did anything in particular inspire it?

Thanks, Sophie! It’s fabulous to have it out in the world at last!

The nature versus nurture question is one that I’ve always found fascinating.  And that’s where I started with The Golden Child. I wanted to very deliberately create a narrative that ran counter to Lionel Shriver’s We Need to Talk About Kevin. In Shriver’s novel, there was more than a hint that Kevin’s problems began with his mother’s ambivalence. I wanted a mother who, unlike Eva, wasn’t terribly conflicted about motherhood, who found it easy to nurture her children, who wasn’t disappointed in them, or frustrated by her lot.  And I wanted to think about what it might be like to discover that despite this, regardless of the effort, the environment, the endless love given — it can all go horribly wrong. What it might be like to discover that you don’t really know your child at all.

The story is told through several points of view, and not only as straight narrative, but also through blogs and websites and other online media. How did you juggle these very different forms in your writing?

I actually find it quite difficult these days to write a straight narrative from one perspective. There always seems to be another story, in the wings, waiting to be told., Another character, who sees things slightly differently. I guess that’s what interests me most about storytelling. It’s like acting, in that we get to become someone other than ourselves. As for the online narratives, I think online personas are so prevalent now, that it’s quite hard to write anything contemporary that doesn’t include some sort of online component. It’s becoming more and more pervasive in our lives, a big part of how we connect with others, and how we see ourselves. And I think for adolescents — as in my story — it’s now part of working out who they are, an essential element in their ‘becoming’.

Both Beth’s breezy blog and the sinister Golden Child site are masks, or to put it in another way, avatars of the real person behind each. One misrepresentation is innocent; the other is not. Do you think the virtual world encourages deception, and if so, why?

I think it’s more that it allows it rather than encourages it. Although sadly, the anonymity does tend to bring out the worst in some people — the bullies and sadists among us. Along with the whiners and those who suffer from opinion overload. It’s been such a sudden change, a revolution, and I think as in all revolutions, it’s full of frightening unknowns.  I guess it’s like being dumped ion an island with a bunch of strangers, having no rules or regulations, or notions of correct behaviour, and no laws.  It’s a free-for-all at the moment, for sure, but I like to imagine that we’ll calm down, and sort out some boundaries eventually. All the possibilities are exciting— but there’s frightening, damaging aspects, too.golden-child

In The Golden Child you get, as you say, one character whose online life is a fairly benign confection:  Beth uses what’s available to make a good story. It’s something I’ve done myself, and I suspect that most writers do something similar to some extent — we all have to spin that straw of ordinary life into the gold of narrative. The other blogger, the Golden Child, is the true self unmasked — and rather malign self at that!

Social media shaming and cyber bullying are recognised society-wide phenomena and also constitute an added hazard for parents and children, putting final paid, in my opinion, to the never-very-trustworthy proverb, ‘sticks and stones may hurt my bones, but words will never hurt me.’  In your novel, the two mothers–Beth, the mother of the bully, and Andi, the mother of the victim–have to face the devastating consequences of the cruelties of online mob behaviour. Is there any way, do you think, that they–or indeed real parents–could have acted to prevent or at least minimise the damage?

I guess there are ways in which we can police our children’s use of the net far more strictly — there are parental controls available, and ways to stop them accessing certain information — but it becomes so complicated when kids need access for homework. It can be hard to extricate the necessary from the social. I think both Beth and Andi are caught unawares – Andi a little distracted by new motherhood, assuming that all’s okay with her eldest child, enjoying the slight loosening of the apron strings.  And then Beth, who doesn’t like that drift so much, but hasn’t any clue that all is not as it appears on the surface. She’s also so busy, juggling work, marriage, a move, renovations, mothers, children, her blog, everything. I think sometimes we forget that mothers ( and fathers) are also people themselves, who are still trying to sort their own shit out, as well as everyone else’s. And it has to be said that even though things are slowly changing, a greater portion of the emotional and logistical work of parenthood falls largely to the mothers, still. I’ve seen some reviews of the book critical of Beth and Andi, seeing them as being somehow negligent, but no one ever asks what the fathers were doing. And actually, nor do Andi or Beth; the blame is directed inward, as it so often is.

Your novel deftly portrays the different worlds that the adults (not just the parents, but also grandparents) and kids live in. They misunderstand each other often. Or do they? Are they really that different?

I do think there’s some interesting generational stuff going on, but isn’t that just inevitable, the way it always is?  I think these are as superficial as they’ve always been, and the real divisions are still more to do with personality and personal values than generations. For instance, not all teenagers think like Charlotte — that bullying is just how it is, and that we should all just get used to it. And yes, both the grandmothers dislike what they view as helicopter parenting, but for very different reasons:  one is worried about the moral ramifications of over-parenting and privilege; the other grandmother is scathing about what she sees as a type of emotional ‘mollycoddling’ — of allowing your children to be too sensitive.

Your depiction of the kids at the centre of the novel–Charlotte, Lucy, Sophie–is as satisfyingly authentic as that of the adult characters. Do you think there are differences when it comes to creating young as opposed to adult characters, and how do you keep it real?

You know, I actually never really think too hard about that! I was a kid once – and I have a pretty good memory of it. Or of how it felt, if not the details. And then, of course, I’ve been fortunate to be able to observe my own kids growing up. That of-the-moment authenticity is always tricky; it changes — and dates —  so quickly!  I did get my younger kids to check the language, and my daughter added a few choice phrases, and told me when things didn’t work. And in case anyone wants to argue the point, my kids and their friends do actually say lol aloud when something’s funny. That’s language change in action, folks.  LOL.

The mounting suspense in your novel, and the final plot twist, gives it very much the feel of a psychological thriller. Yet there is no straight-out ‘crime’ as such. How did you go about creating that sense of creeping menace whilst also keeping the novel anchored within ‘ordinary’ life?

I actually think that happened without any conscious help from me. Bad kids creep us out; it’s so wrong. And when you juxtapose this with the very ordinary domestic world, which is of course where some of the most horrible things happen, that sense of dread is ramped up exponentially. You know you’re meant to feel dread in a dark alley of a grimy city, surrounded by sinister strangers, but it’s a shock to find that life with nice middle class kids in sunny beachside middle-class suburbia can be as scary as hell too.

The Golden Child could be seen as part of the contemporary genre of so-called ‘domestic suspense’ to which novels such as Liane Moriarty’s Big Little Lies and Lionel Shriver’s We Need to Talk about Kevin might also be said to belong. Are you comfortable with such a description? And why do you think it’s become such a successful genre?

I am completely, in fact, regally happy — probably because I have actually been called Australia’s Queen of Domestic Suspense (thank you Angela Savage!). I think we get so much pleasure from this particular genre because these situations feel so possible; they could all happen to you.  When the betrayal comes from within, from someone you love and trust, it can be horrifying. And it can be impossible to know how to protect yourself. There’s literally nowhere to run, no way to hide.

 

Wendy James is the mother of two sets of siblings born eight years apart, in the digital and pre-digital ages. She is the author of seven novels, including the bestselling The Mistake. Her debut novel, Out of the Silence, won the 2006 Ned Kelly Award for first crime novel, and was shortlisted for the Nita May Dobbie award for women’s writing. She works as an editor at the Australian Institute of Health Innovation.

 

 

Teen Buzz: my workshop on writing YA fiction, next month in Sydney!

nswwcDelighted to announce that I’ll be once again presenting my one-day workshop, Teen Buzz: Writing Great Young Adult Fiction, at the NSW Writers’ Centre in Sydney on March 4. I presented this course last year at the same venue and it seemed very popular with participants! So if you’re interested in finding out more about writing YA today–what’s hot, what publishers are looking for, and how you can best hone your writing to reach a YA audience, complete with fun and useful exercises–come along and join us on Saturday March 4, in the beautiful parklands setting of the Centre!

All details and bookings here.

Story behind the story 8: And Then authors and their contribution

Today Dan Rabarts (story in vol 1) is sharing the fascinating Maori background behind his And Then contribution.

dan-rabartsDan Rabarts and Tipana Tapu

Tipuna Tapu is a post-apocalyptic adventure story, set in a dieselpunk world where every conceivable monster of myth and legend walks the earth, and where humanity struggles to exist in the shadow of dragons, giants, and kaiju. In a far corner of this world, misty Aotearoa, people crowd into places made tapu, sacred, by events of the deep past, or by the sacredness of bones that protect them and keep the hungering taniwha at bay. Our heroes, or perhaps anti-heroes, search for forgotten bones to sell to those who can afford them, and want to keep themselves safe from the taniwha. Which is all good and well, until things turn against them. Suddenly, the bones are more than just profit and loss. They’re a map to a past that just might save Aotearoa from the hell it has fallen into, but can our heroes change their ways in time?

My iwi is Ngati Porou, and my father maintains our histories, our whakapapa, going back many generations. Over the years, he has been sharing these stories with me, among them the narratives that connect our family to our ancestral lands in the Coromandel. This has included discussions of how the remains of our ancestors were handled and stored, of the tapu, or respect, associated with the bones of the dead, and the sacredness of those places, and those remains. So this story has been brewing for a while, and it was only a matter of time before it came out, mashed up with taniwha and motorbikes and nailguns.