A unique treasure….

Born in Indonesia(in Jakarta) where my parents were working at the time (my younger sister Camille was also born in Indonesia, but in Surabaya, in East Java), I grew up in France and Australia amidst many reminders of Indonesian(especially Javanese, but also Balinese) culture, which my parents loved. The wayang plays, in their different forms(the puppet ones such as wayang kulit, wayang klitik and wayang golek, and the wayang orang, played by people) was a great love of theirs, along with the haunting music played by the gamelan orchestras.

They had already given me one unique treasure: the handwritten script of a particular wayang play, written down by a Javanese dalang(master puppeteer) in Javanese and then translated into modern Indonesian and English(both languages my parents spoke fluently). And now I have another Javanese treasure, gifted by my father and carefully brought here from France by my brother: a totally gorgeous set of exquisitely-painted clay figurines which my parents bought in Yogyakarta many decades ago, depicting a wayang orang performance with a full accompanying gamelan orchestra. They are absolutely unique pieces: I have never seen any other like them–including on the internet 🙂

As a child I was completely enthralled by this beautiful miniature world and would stare at them for ages, imagining their stories, hearing in my mind the music they played, the way the dancers moved…Many years later, as an adult with my own children, ona visit to Central Java, we went to a gorgeous moonlight ‘wayang orang’ performance of the Ramayana Ballet, in the ancient temple complex of Prambanan and it was like watching those figures world come to life…

It is just so wonderful that now this beautiful miniature world has found a new home with us here!

‘Wayang’, by the way, means ‘shadow’, or, metaphorically, ‘imagination’: a fitting name for this most extraordinary of art forms…

Looking forward to the launch of Satin on Tuesday!

I’m heading off to Sydney in a couple of days, and one of the highlights will be the official in person launch of Satin, next Tuesday, March 14, at 4pm at the gorgeous Better Read than Dead bookshop in Newton. Lorena and I will both be there, to read from and talk about the book, sign books, and meet readers! Everyone is very welcome, we’d love to see you there! It’s a free event but the bookshop would appreciate it if people can register if possible(though of course you can also just turn up, if you run out of time) Here’s the registration link.

We’ll also be celebrating Satin through school visits, organised by the wonderful people at The Children’s Bookshop. And calling into city bookshops to say hi. It’s going to be a great week!

And those reviews just keep coming–we had another couple of lovely ones very recently, here and here. Seems readers are really taking Satin to their hearts, which warms our hearts, too…

Announcing the new Pardalote Press production!

I’m absolutely delighted to announce the forthcoming arrival of the new Pardalote Press production, my latest collaboration with the wonderful Lorena Carrington!

It’s a beautiful little book titled Secrets of the Good Fairy House, which will be out at the beginning of June and distributed nationally through our distributor Peribo. Below you can see the book’s gorgeous front and back covers which Lorena created, as well as the lovely page Peribo have for the book in their June catalogue.

Secrets of the Good Fairy House is a unique exploration in words and images of the magic a beloved childhood home can confer on people, through its sheer atmosphere and the objects in it too. Both in words and images, it’s a mix of memoir–about my childhood home in rural France and Lorena’s in regional Victoria–and fiction, to create what we hope will be an enticing, imaginative blend. Each page features a space or an object or an aspect of the good fairy house, and, as well,  there are interactive elements at the end: an encouragement to create memory maps(with ours as samples), ideas on how to use the ideas and concepts in the book to create your own exploration of your own ‘good fairy house’, and a maze game, for a bit of fun 🙂 We absolutely loved creating this unique little book, and we hope many readers will take it to their hearts too. It’s for a general audience, for adults as well as younger readers, and makes a great gift too.

Secrets of the Good Fairy House is a beautiful small square book of 48 pages, in full colour, retailing at $25.  The ISBN is 9780645563429. It will be available in all good bookshops across Australia, and can also be pre-ordered, via your local bookshop, or directly via our website.

Teachers’ Notes for Satin

There’s some great Teachers’ Notes for Satin now which include something from Lorena and something from me about the creative process behind the book, and also a range of fabulous activities of all kinds around the book. Free to download (below) and use by families, schools and libraries. All rights reserved.

Publication day for Satin

Today is a special day: the official publication of Satin. Yes, the book is now out in the world and Lorena and I are celebrating–and looking forward to the official launch in Sydney on March 14 (all welcome! ) And to mark today, here’s a beautiful review we received only yesterday, from Sydney teacher-librarian Judy Rachwani:

This book is beyond breathtaking. An abundance of concepts that most probably every single person has dealt with or is dealing with can be seen, heard and felt within the deep meanings of the words and the incredible visual images that reflect those meanings. There are concepts of solidarity, loneliness, uniqueness, longing, accumulation of sadness, the importance of contribution and the beauty of the sweet human connection and more.  

 I truly am finding difficulties using words that give this author and illustrator justice to their in-depth, meaningful and intriguing artful work that has been reflected and processed within this work.   

As a reader, this book moved me immensely  and took me into the depths of feeling the ‘blues’ but  in a very different way. As a teacher, I found it a great resource for the students (upper primary/highschool) to unlock and discuss emotions such as loneliness and longing for connection but also not being aware of that need to connect, the beauty of the connection,  being unique and realising the  importance of one’s uniqueness to the community around.  

Highly recommended for wellbeing discussions, visual literacy and for story telling time too! 

Thank you so much, Judy! We are so happy our book is already finding its way into readers’ hearts…

Thank you so much to our wonderful publisher, Anna Solding of MidnightSun Publishing, for loving and believing in this book from the start. And thank you to the wonderful MidnightSun Publishing team, and to everyone who has helped bring our very special Satin into the world.

A little taster of Satin in anticipation of the launch

In anticipation of both the official release of Satin on March 1, and its launch in Sydney on March 14, I’ve done a short video reading of the first few pages of the book. Hope you enjoy!

And if you’re in Sydney on Tuesday March 14, Lorena and I would love to see you at the launch, 4pm at the fabulous Better Read than Dead bookshop in Newtown. We’ll be reading and talking about the book and signing books of course too! Please register at this link(the launch is free, of course, but you can if you like also order the book prior to the launch). Hope to see you there!

Lovely first (advance) reviews for Satin!

Lorena and I are so delighted to be already seeing the most wonderful first reviews of Satin, even in advance of the book’s official publication day on March 1! (It’s in shops however now). There are two, published this week: one’s in Buzz Words, and the review is written by author and editor Dannielle Viera; the other is on Read Plus and is by children’s literature specialist Fran Knight.

Here’s an extract from the Buzz Words review:

Inspired by the satin bowerbird, Sophie Masson’s mesmerising fable is infused with melancholy. Sibilant alliteration snakes across the pages as Satin silently seeks a life without loneliness. Children aged four and older will empathise with Satin’s longing for love and emerge from the story with a steadfast belief in the power of sharing to strengthen connection.

Exuding sapphire and shadow, Lorena Carrington’s illustrations serve as a moody backdrop to Sophie’s wistful words. Satin is shown in silhouette, which heightens the heartache of his solitude. Only when the protagonist begins to bestow his blue upon others does Lorena lighten the ambience with pinks, yellows, and greens – it is the dawn of a new life for Satin.

You can read the whole review here.

And here’s an extract from the Read Plus review:

With all the atmosphere of a modern fairy tale or fable, Satin will entrance readers with its overwhelming sense of longing as Satin searches for things that are blue…..

The illustrations are wonderful, full of layers of different blues, on some pages in broken crockery, and marvellously pieced together on the endpapers. Kids will love collecting their own pieces of blue to see how they can be fitted together and try mosaics for themselves.

You can read the whole review here.

Many thanks from both of us to the wonderful reviewers–it’s such a wonderful start to Satin’s journey to readers!

The story of Satin, part 2: creating the visual world

In this lovely post, Lorena writes about how she created the stunning visual world of the book.

When Sophie asked if I was interested in working on Satin with her, she had barely finished her sentence before I said yes! I love working with her, and the story sounded so beautiful and intriguing. I also immediately had wonderful visions of all that blue… And it perfectly combined two things I’d worked with before. Some of my earliest montage work included shards of willow pattern plates, and I had also been doing a lot of work with cyanotypes, an early photographic process that has the most glorious blue emulsion. And the fact that Satin gathers objects to create his beautiful thing is exactly how I work too! It was perfect.

These are the first sample images I made for Satin, which we sent as part of our book proposal to the wonderful Anna at MidnightSun. They remain essentially unchanged in the final book, though you maybe be able to spot a few differences in the versions of the first image. As you can see, they are built up with layers of photographic images: the buildings, the silhouetted foreground landscape and figure, the bird, distant trees and the full moon against the misty sky… The pair underneath are more painterly. The elements are still photographic, but they are layered over a rich wash of painted cyanotype, giving a textured deep blue.

And here they are in the book:

You’ll find many shards of blue china in Satin, many featuring the famous Willow pattern. Some of my earliest montage artworks were based around that same pattern. The images were made from shards of china I found in my backyard and the local landscape, and the landscapes themselves. Creating the illustrations for Satin felt like a delightful full-circle return to my early work. Here are three examples from around 2009.

The other slightly different element I’ve introduced to these illustrations, are splashes of painterly blue. The ‘paint’ is actually created with cyanotype chemistry, which is painted onto paper, and them exposed in the sun to create a rich blue. It’s wonderful cross between painting and photography, and lets you combine the two in wonderful ways. On this illustration spread, I’ve painted the splotches of blue, and digitally inserted the photographic elements.

I felt such an immediate affinity for Satin. He explores his surroundings, looking for interesting things, so that he can make something beautiful, which is exactly how I work, and Sophie’s extraordinarily beautiful prose made Satin such a pleasure to work on. I really hope you find inspiration and beauty in it too.