I’m very pleased to announce the launch of the crowdfunding campaign for a unique and wonderful book I’m involved in, as part of the writing and production team–Inside Story: the wonderful world of writing, illustrating and publishing children’s books.
Inside Story will be a full colour illustrated book, an invaluable resource and guide for aspiring writers, illustrators, editors and designers, but also of great appeal to anyone interested in the wonderful world of Australian children’s books. Commissioned by the New England Writers’ Centre, with the support of Create NSW, it is being produced and published by UPA Books, the collaborative imprint newly launched by United Publishers of Armidale partners Christmas Press and Little Pink Dog Books, working with a team of local professional writers, illustrators, designers, and editors. Contributions from other creatives and professionals–writers, illustrators, editors, designers, agents, publishers, booksellers and reviewers- from across the country are also included. The book will be published under the UPA Books banner in May 2022.
The crowdfunding campaign is to raise funds for printing, marketing etc. Here’s the direct link to the campaign, which includes a video, lots of good FAQs, and all details of perks etc:
There are great perks available for campaign backers, including, of course, copies of the book. Regular updates on progress of the book will be posted on the campaign page. The crowdfunding campaign will end on Dec 2.
And here below is the fabulous video to introduce the crowdfunding campaign, and the project itself. Hope you might consider joining us!
We had the best time last night at the launch of A Hundred Words for Butterfly! Part of the launch included readings by the fabulous writers who were finalists and winners in the #100words4butterfly writing comp, and their stories, as well as some of my Basque-themed recipes, appear in this gorgeous digital magazine put together by the wonderful Hannah Oakshott from Spineless Wonders Short Australian Stories. Yummy food and amazing microlit–a perfect combination–check it all out below!
Congratulations to all the finalists and winners, and thank you so much to all the wonderful Spineless Wonders team, it was an absolutely awesome launch and I am still on a high!
Today, at 6pm Australian Eastern Standard Time, we are launching A Hundred Words for Butterfly online, with interviews, reading, cocktails and pintxos, games and more! It’s going to be such fun! If you’d like to attend, you can simply join via the Spineless Wonders Facebook page, or register here to get the link. (It’s all free). It’s going to be such fun!
And as a lovely lead-in to tonight’s festivities, there’s another fabulous review of the book, this time on Google Play. It’s by writer Claudia R. Barnett. Here’s a short extract:
Like a flavoursome, aromatic Basque soup, this immersive tale leaves you wanting more. In part, this is due to the dialogue. It sounds authentic – as though you were eavesdropping on a friend’s conversation. And it is brought to life by Sarah Kennedy’s exquisite narration. But the real charm of Masson’s story are her engaging, relatable characters.
You can read the whole review here. And watch the lovely trailer for the book here.
And now, I’m off to start putting together ingredients for the pintxos I’ll be making for tonight, to have with a couple of those celebratory cocktails!
Over on Writer Unboxed, I’ve had a post published which is about the wonderful experience I’ve been having, working on the marketing of A Hundred Words for Butterfly with the wonderful Spineless Wonders team. It’s been one of the best book marketing/publicity experiences ever, and in this post I wanted to pay tribute to the team and their inventiveness, imagination, passion and sheer hard work, as well as describe in detail what we did.
Here’s a short extract:
In Australia, Spineless Wonders are known and highly respected for their innovative and dynamic approach to publishing, and their marketing strategy for all their books and events has always been focused on imaginative community engagement. And as we worked on our plan for the marketing of A Hundred Words for Butterfly, that engagement became more important than ever, because a large number of Australians, including but not only in our two biggest cities, Sydney and Melbourne, were (and still are) in lockdown due to an outbreak of the Delta strain of Covid19. (All of us working on it were in that boat). So it was even more crucial to come up with great ideas for activities that would offer people something fun, exciting and creative to do even when they were stuck in lockdown. After much discussion, we decided on three main themes/prongs for these.
On this Wednesday, September 15, at 6pm Australian Eastern Standard Time, we are going to be launching A Hundred Words for Butterfly with a fabulous online event, including interviews (of me and the narrator Sarah Kennedy), readings by the finalists of the #100words4butterfly comp, a virtual cocktail and pintxo party, games, and more!
You can join the event via the event page on Spineless Wonders Facebook or if you are not on Facebook, register via the booking link here (it’s free, but registering will mean you get all info, the link and a calendar reminder of the event).
So this is coming on September 15th, the fabulous online event celebrating the release of my audio novel for adults, A Hundred Words for Butterfly! Join us to celebrate, with special guests including me, the wonderful voice artist Sarah Kennedy (pictured below, she narrates the audiobook), and the winners and some finalists of the #100Words4Butterfly writing competition. Come along (virtually!) for a super fun night of games, cocktails (including the one below!), readings and more!
Today I’m delighted to be bringing you an interview with award-winning writer Felicity Pulman, who has embarked on a wonderful new project: republishing her popular young adult historical fantasy trilogy, Shalott, with new titles, new material and in new formats. The first book, Shalott: Into the Unknown, has just been released, and the other two Shalott: Dangerous Magic, and Shalott: End Play, will be published in September and November respectively.
Congratulations, Felicity! Why did you decide to republish the Shalott trilogy?
I wrote the first novel not realising there was more to come – and it was only when I got to the third novel that I understood what Callie’s quest was really all about. Rewriting and republishing the trilogy was my chance to ‘get it right’; to blend in a wonderful mix of magic and technology, and to seed in the ‘clues’ that there was much more to the teenagers’ quest than they first realised. It was also my chance to bring the books up to date for a new generation of readers, while introducing them to the timeless legend of King Arthur and his knights, and the mysterious and beautiful poem, The Lady of Shalott by Alfred, Lord Tennyson.
The original series came out in the early 2000s. You’ve changed the titles, but was there anything you decided to change within the stories themselves? And did you add any new material?
Basically the story remains the same, although I’ve strengthened the magical aspect, particularly from the points of view of Nimue and Morgan le Fay. Nimue’s magic helps to bring the teenagers to Camelot in order to thwart Morgan’s plans to divide the court through the love affair between Guinevere and Lancelot. But Morgan will stop at nothing to eliminate anything that gets in the way of her ambition for Mordred – and the teenagers are caught in the crossfire. I was also able to update the books to reflect society as we know it today in terms of hot button topics for teenagers, new technology, and even the deadly virus! A LOT has changed over the past twenty years.
Tell us about the process you went through in order to get the books back into print – what were the challenges? And discoveries?
I worked on an already formatted version while rewriting the novels, which caused all sorts of problems during editing and proof-reading. With hindsight I’d probably have been better off retyping all three novels! As a technotwit I knew I’d be better off asking for help rather than trying to navigate the self-publishing process on my own. Joel Naoum from Critical Mass Services has been a great help to me, finding editors, designers and printers, acting as a sounding board, and generally shepherding me through the whole publishing process. What I discovered was just how many decisions one has to make along the journey!
As a self-publisher this time, how are you promoting and publicising the books?
This is still a WIP. I’ve updated my website; I’m posting on facebook and other platforms, and also spreading the word via the various societies and writing organisations to which I belong. I need to make much more use of social media than I do, and I’m working on that, plus I’m also considering paying for some advertising. Friends like you have been really helpful with giving me ‘air time’ on your own platforms as well – much appreciated! Of course I always talk about my books at my workshops and author talks, with the age of the audience determining which books I mention. I’ll be canvassing local bookshops with copies of the trilogy, and also sending out press releases to local and any other media that I hope might be interested. Meantime I’m open to suggestions from everyone!
What advice would you have for other authors thinking of republishing their out-of- print titles?
It’s hard work but certainly worthwhile if you want to breathe new life into your books, especially if you’re technosavvy. But buyer beware: go with a reputable print company and make sure your books are readily available for purchase (as mine are through amazon and various other outlets.) If you’re outsourcing the publishing process, as I have, it can be expensive, and unless the book suddenly takes off for some reason you should realise that you’re unlikely to make any sort of profit, or even recoup your expenses.
Another of your novels is going to get a new lease of life, I believe, with your very first novel, Ghost Boy, optioned by a film production company. Can you tell us about that?
Ghost Boy is my most successful book to date, particularly as it now forms the basis of the very popular Ghost Boy tour up at the Quarantine Station in Manly, where part of the novel is set. The QS itself is a fabulous site – very cinematic, very historic, and very creepy, and students studying my novel find that the book really comes alive when they can walk in the footsteps of my characters. The film option was taken out several years ago, but I’ve now signed an option for the sale of my book, which means we’ve come one step closer to seeing my novel (and maybe its unpublished sequel: The Curse of the Quarantine Station) turned into a movie. Exciting – but I must admit I’m finding it very hard to let go!
Where you can buy Shalott: Into the Unknown, first volume of Felicity’s republished Shalott trilogy:
I’m delighted to announce that French Fairy Tales will be launched in an online event on Friday November 20, at 6.30 pm Australian Eastern Daylight Time. Here’s the description of the event from the publisher, Serenity Press:
Join us to celebrate the release of French Fairytales by Sophie Masson and illustrated by Lorena Carrington. Both Sophie and Lorena will be in conversation with the publisher Karen Mc Dermott. It will be an evening of celebration for this beautiful book and all things French Fairy Tales. You can join us on zoom (Link posted before the event) or watch live on Facebook.
All welcome! The Facebook link to the event is here.
Delighted to announce the virtual launch of Four on the Run today, which is happening on the United Publishers of Armidale website! The book, illustrated by Cheryl Orsini and published by Christmas Press, is being launched by the wonderful author Lesley Gibbes, in the first of four pre-recorded videos which also includes a talk by me about the book, a reading of the first chapter, and a book trailer. Available from this morning and well beyond. Check it all out here. And hope you enjoy!