A little taster of Satin in anticipation of the launch

In anticipation of both the official release of Satin on March 1, and its launch in Sydney on March 14, I’ve done a short video reading of the first few pages of the book. Hope you enjoy!

And if you’re in Sydney on Tuesday March 14, Lorena and I would love to see you at the launch, 4pm at the fabulous Better Read than Dead bookshop in Newtown. We’ll be reading and talking about the book and signing books of course too! Please register at this link(the launch is free, of course, but you can if you like also order the book prior to the launch). Hope to see you there!

Lovely first (advance) reviews for Satin!

Lorena and I are so delighted to be already seeing the most wonderful first reviews of Satin, even in advance of the book’s official publication day on March 1! (It’s in shops however now). There are two, published this week: one’s in Buzz Words, and the review is written by author and editor Dannielle Viera; the other is on Read Plus and is by children’s literature specialist Fran Knight.

Here’s an extract from the Buzz Words review:

Inspired by the satin bowerbird, Sophie Masson’s mesmerising fable is infused with melancholy. Sibilant alliteration snakes across the pages as Satin silently seeks a life without loneliness. Children aged four and older will empathise with Satin’s longing for love and emerge from the story with a steadfast belief in the power of sharing to strengthen connection.

Exuding sapphire and shadow, Lorena Carrington’s illustrations serve as a moody backdrop to Sophie’s wistful words. Satin is shown in silhouette, which heightens the heartache of his solitude. Only when the protagonist begins to bestow his blue upon others does Lorena lighten the ambience with pinks, yellows, and greens – it is the dawn of a new life for Satin.

You can read the whole review here.

And here’s an extract from the Read Plus review:

With all the atmosphere of a modern fairy tale or fable, Satin will entrance readers with its overwhelming sense of longing as Satin searches for things that are blue…..

The illustrations are wonderful, full of layers of different blues, on some pages in broken crockery, and marvellously pieced together on the endpapers. Kids will love collecting their own pieces of blue to see how they can be fitted together and try mosaics for themselves.

You can read the whole review here.

Many thanks from both of us to the wonderful reviewers–it’s such a wonderful start to Satin’s journey to readers!

The story of Satin, part 2: creating the visual world

In this lovely post, Lorena writes about how she created the stunning visual world of the book.

When Sophie asked if I was interested in working on Satin with her, she had barely finished her sentence before I said yes! I love working with her, and the story sounded so beautiful and intriguing. I also immediately had wonderful visions of all that blue… And it perfectly combined two things I’d worked with before. Some of my earliest montage work included shards of willow pattern plates, and I had also been doing a lot of work with cyanotypes, an early photographic process that has the most glorious blue emulsion. And the fact that Satin gathers objects to create his beautiful thing is exactly how I work too! It was perfect.

These are the first sample images I made for Satin, which we sent as part of our book proposal to the wonderful Anna at MidnightSun. They remain essentially unchanged in the final book, though you maybe be able to spot a few differences in the versions of the first image. As you can see, they are built up with layers of photographic images: the buildings, the silhouetted foreground landscape and figure, the bird, distant trees and the full moon against the misty sky… The pair underneath are more painterly. The elements are still photographic, but they are layered over a rich wash of painted cyanotype, giving a textured deep blue.

And here they are in the book:

You’ll find many shards of blue china in Satin, many featuring the famous Willow pattern. Some of my earliest montage artworks were based around that same pattern. The images were made from shards of china I found in my backyard and the local landscape, and the landscapes themselves. Creating the illustrations for Satin felt like a delightful full-circle return to my early work. Here are three examples from around 2009.

The other slightly different element I’ve introduced to these illustrations, are splashes of painterly blue. The ‘paint’ is actually created with cyanotype chemistry, which is painted onto paper, and them exposed in the sun to create a rich blue. It’s wonderful cross between painting and photography, and lets you combine the two in wonderful ways. On this illustration spread, I’ve painted the splotches of blue, and digitally inserted the photographic elements.

I felt such an immediate affinity for Satin. He explores his surroundings, looking for interesting things, so that he can make something beautiful, which is exactly how I work, and Sophie’s extraordinarily beautiful prose made Satin such a pleasure to work on. I really hope you find inspiration and beauty in it too.

The story of Satin: Part 1, creating the text

In just ten days or so, Satin, my picture book with Lorena Carrington, will be released by MidnightSun Publishing. And in anticipation of that, Lorena and I thought you might be interested to read about how the book came about, and what the process of creating it was like. Today, I’m talking about my side of it, how the text came into being, in one of those amazing, inspirational moments that are such a blessing in a writer’s life…

In May 2021, my husband David and I were travelling by car from our home in northern NSW on our way to attend the Bendigo Writers’ Festival in Victoria, a two-day journey from our place. It was somewhere on the road before we reached the town of West Wyalong that I suddenly glimpsed, on the side of the road, a bird with satiny, very dark blue plumage. Though I saw it for just an instant as we flashed past, I knew at once what it was—a male satin bowerbird. But what was it doing there, all by itself? Satin bowerbirds are shy, it’s not easy to see them, and they certainly don’t make a habit of hanging around near roads! I knew they like to collect blue things to decorate their nests: so had it spotted a special blue there?

In that moment, something else flashed into my mind, a title: Satin. I could see a character: a lonely young man, or was he a bird? Or both? Words began to flow onto my small travel notebook (I wasn’t driving of course!) By the time we reached West Wyalong where we were to stay overnight, I already had the glimmer of an idea for a special picture book text, and by the time we got to Bendigo the next day, that idea had firmed up.

When I met up with my friend Lorena Carrington in Bendigo, I excitedly told her about it. Lorena’s a wonderful illustrator and she and I had already worked on two books together, retellings of French fairy tales and medieval French Arthurian stories, and that had been a wonderful collaborative experience. I was very much hoping she might be interested in the idea of Satin—and to my delight, she was, at once! We started talking about how it might work: usually for a picture book you don’t have writer and illustrator together at the start, usually the writer sends in a text and the publisher then chooses the illustrator. But we just knew this book had to be with the two of us. And I had an idea who perhaps might be interested in such an unusual book…

After getting back home, I worked on the story, first in my bigger usual notebook, and then on the computer.

I then sent it to Lorena, who created some gorgeous sample illustrations. And then I contacted the wonderful Anna Solding at MidnightSun Publishing and told her about the book. She loved the idea and immediately wanted to see what we’d done. So we sent the text and the samples—and within a week, she got in touch. The MidnightSun Publishing team loved it and wanted to publish it. So exciting! And as we worked with the wonderful people at MidnightSun, and Satin’s world came to brilliant life in Lorena’s spellbindingly beautiful illustrations, I kept thinking of that moment when I unexpectedly glimpsed a shy blue-loving satiny bird by the side of the road. Pure magic, that’s what it felt like: and pure magic to see it developing into such a very beautiful, very special book.

Launch of Satin coming up soon!

Lorena Carrington and I will be celebrating the launch of our picture book, Satin (MidnightSun Publishing)in Sydney on Tuesday March 14, 4pm at the lovely Better Read than Dead bookshop in Newtown. Lorena and I are both coming in person from our respective homes-mine in regional NSW, Lorena’s in regional Victoria–for it, and we’ll be reading the book, talking about how we created it, and of course signing books!

Everyone very welcome, children and adults, you just need to register(it’s all free of course) so the bookshop can have an idea of numbers. Here’s the link, to register.

Super exciting news about a new novel!

I’ve had to sit on this super exciting news for ages, but now it’s been announced by the publisher, so I can announce it in my turn now!

In November 2023, my new novel for adults, The Paris Cooking School, will be published under my new pen-name of Sophie Beaumont, by wonderful Ultimo Press. It was acquired by them via my lovely agent Margaret Connolly, who has encouraged, supported and helped to inspire me every step of the way as I’ve been creating the novel. And it’s been an absolutely wonderful experience working with publisher Alex Craig and the Ultimo Press team, and I’m looking forward so much to the rest of the process!

This is a book that I have so loved writing, which has taken me in a new and exciting direction in terms of my writing, a delicious novel about love, hope, second chances–and food! And it’s also a love letter to the most beautiful city in the world.

Here below is the publisher’s announcement. I’ll be writing more about the book as the months go on, and starting a special page for it on this blog too, but in the meantime you can follow the Paris Cooking School on Facebook and/or Instagram, where I’ll be posting news, pics, bits and pieces.

The official announcement from Ultimo Press!

Oh la la, do we have a delicious novel on its way to you 🍓⁠

⁠It was impossible not to be enticed by The Paris Cooking School by Sophie Beaumont. It’s a treat for the soul – a delectable novel about love, hope and the consolations of the perfect strawberry tart.⁠

⁠Sophie says, ‘I love Paris. It’s as simple as that. Steeped in history, yet fresh as morning bread, elegant as spun sugar yet earthy as onion tart, it’s a city of delicious contrasts and magical charm. It’s also a place of potential and possibility: the perfect setting for a story of second chances. And of course, there’s the food! I loved writing this book so much: and I hope readers love it too.’ ⁠

⁠Publisher Alex says, ‘The Paris Cooking School is a sheer delight, and I couldn’t be happier working with Sophie on a gorgeous novel set in a city she knows inside out. Following three women’s stories during a springtime in Paris, this novel is for anyone who dreams of the what-ifs and second acts, escaping to the City of Lights, and learning to cook the French way.’ ⁠