Delighted to see a wonderful review of Inside Story (for which I was one of the principal writers and compilers) in the latest issue of the prestigious children’s literature publication, Magpies Magazine. See below.
There’s also, in the same issue, a three-page interview with me and Kathy Creamer, another of the main writers/compilers, about how the book was created and produced. Not available online, but you can check out Magpies Magazine subscriptions here: for anyone interested in Australian and New Zealand children’s books, Magpies is an absolute must!
There’s a great first review for Four Up In Lights in Buzz Words. Here’s a short extract:
Award-winning author of over 70 books, Sophie Masson has clearly had a lot of fun creating these four endearing characters, putting them in all sorts of trouble and helping them find their way out with plenty of chuckles and adventure along the way.
Cheryl Orsini’s fun illustrations bring the characters to life and capture both the tension and celebration of the story as it unfolds.
Perfect for young readers, aged 5–8, Maxie, Flash, Fergie, and Lady once again demonstrate the importance of friendship and the joy of adventure. With a hot-wheeling pace, Four Up in Lights will keep readers engaged and wanting to read the story in one sitting.
There’s a lovely first review of Magical Tales from French Camelot, by the fantastic book blogger Ashleigh Meikle, on The Book Muse.
Here’s a couple of bits from the review:
Sophie’s retellings are lyrical and emotive, and as she explains in her rationale at the end of each tale, she chose the most powerful moments in each tale to retell, leaving off where she needed to, and at times, explaining the rest of the story and its context within the French canon as well as its relationship to the British stories. Doing this gave an extra layer to the book, and it is the same process Kate Forsyth uses for her Long Lost Fairytales collections as well. In giving readers a history of the tale and letting us know what they have done, Sophie, like Kate, invites us into her world and writing process….
These stories bring part of the Arthurian legends and myth cycle to life for adult and young adult readers, and I loved reading them, loved feeling like I was part of the world that they came from, and loved the beautiful illustrations by Lorena, created with many different aspects digitally to tell the stories just as much as the words did. I find it hard to put her illustrations into words because I think they are the kind of illustrations you have to experience for yourself – they’re just that magical!
And it’s a cracker! By Dianne Bates, it was published in Buzz Words magazine today, May 23 2022.
Here’s the full review:
Inside Story: The Wonderful World of Writing, Illustrating and Publishing Children’s Books compiled by Sophie Masson, Kathy Creamer, Beattie Alvarez, and Peter Creamer, edited by Jen Scanlan and Sharnee Rawson (United Publishers of Armidale) PB RRP $29.99 ISBN9780648815457
Reviewed by Dianne Bates
Here is an invaluable resource and reference book for aspiring writers, illustrators, editors and designers or anyone interested in Australian children’s books. It is the first publication by the newly formed UPA, a collaboration between two independent publishing houses: Christmas Press and Little Pink Dogs, in association with the New England Writers’ Centre. And what a comprehensive and beautifully designed and presented book it is! Designed by Rae Ainsworth, the book covers all aspects of writing, illustrating, and publishing children’s books. It includes a section on what happens in the publishing process, how to pitch to publishers, alternative publishing models, useful organisations, and resources.
On each page there are coloured photographs and graphics, break-out boxes, and information (and advice) from a wide range of industry workers. Colourful double-page spreads introduce each topic, and there are also numerous lists of children’s books under headings such as picture books, illustrated storybooks, fiction anthologies, graphic novels, and more. Any inspiring author would benefit from the advice and tips offered by authors, agents, editors, publishers, and illustrators such as Stephen Axelsen, Pippa Masson, Ian Irvine, Jenny Blackford, and dozens more.
There is, as one would suspect, a clear bias towards books published by Christmas Press and Little Pink Dog Books, but other publishers shine in the book, too. It’s gratifying to see that the compilers have included poetry collections and anthologies, with advice from editors and compilers. Ursula Dubosarsky, Richard Tulloch and Duncan Ball share information and tips for writing plays, with Ball sharing his discoveries as former editor of The School Magazine.
In the tail end of this very engaging book is a list of useful organisations and resources for everyone, including editors, designers, and publishers. Numerous publishers have granted permission to use images from their titles, and there is a page of acknowledgements to the many people who have contributed material (and crowdfunding income). Interestingly, there’s a double page spread at the end of the book with photographs and biographies of the compilers, editors, and book designers.
There are many hours of interesting reading in this comprehensive book. Highly recommended!
Just seen the first review of Sydney Under Attack, and it’s great! It’s by Ashleigh Meikle on the Book Muse blog. Here’s a short extract:
2022 marks the 80th anniversary of these attacks – which makes novels like this poignant and important. They remind us that everyone was touched by the war in some way – whether on the home front, on the battle fields, or through knowing someone affected by events far from where they lived, such as Mrs Stein being unable to help her family escape persecution in Europe. Sophie Masson not only touches on how Nick and his family are affected, but how Jewish people are affected, how people who have family stuck in other theatres of war were affected, and how assumptions about someone based on appearance can change when you get to know the person and understand them, and find out that they’re just a normal person, not a spy at all.
Today, at 6pm Australian Eastern Standard Time, we are launching A Hundred Words for Butterfly online, with interviews, reading, cocktails and pintxos, games and more! It’s going to be such fun! If you’d like to attend, you can simply join via the Spineless Wonders Facebook page, or register here to get the link. (It’s all free). It’s going to be such fun!
And as a lovely lead-in to tonight’s festivities, there’s another fabulous review of the book, this time on Google Play. It’s by writer Claudia R. Barnett. Here’s a short extract:
Like a flavoursome, aromatic Basque soup, this immersive tale leaves you wanting more. In part, this is due to the dialogue. It sounds authentic – as though you were eavesdropping on a friend’s conversation. And it is brought to life by Sarah Kennedy’s exquisite narration. But the real charm of Masson’s story are her engaging, relatable characters.
You can read the whole review here. And watch the lovely trailer for the book here.
And now, I’m off to start putting together ingredients for the pintxos I’ll be making for tonight, to have with a couple of those celebratory cocktails!
Delighted to say that the first review of A Hundred Words for Butterfly has just appeared, on the Kobo website, which is one of the retailers where you can buy the book. It’s an absolutely lovely review by the fantastic artist Lorena Carrington. Here’s a short extract:
Sophie Masson’s A Hundred Words for Butterfly is a wonderful listen. The relationship and tension between twins Helen and Alex felt very real, and the gently unfurling relationship between Helen and Tony was refreshing and so lovely. And of course the wonderful descriptions of the towns and countryside – and food! – made me feel an intense longing for the Basque Country...
It’s always wonderful for a writer with a new book out to know that readers are enjoying it, and so I’m really delighted to find two new lovely reviews of The Ghost Squad this week. One is at Ashleigh Meikle’s Book Muse blog; the other at Claire Holderness’ Claire’s Reads and Reviews blog.
Here’s an extract from The Book Muse review:
Filled with secrecy and cover-ups, and with characters who have varying degrees of trustworthiness throughout the novel, to the point where you don’t know who you can trust other than Polly, Kel and Swan.
These relatable characters who are human and flawed drive the narrative, and invite us into their world. It is up to Polly and Swan to find out how to prevent the clandestine factions from controlling people more than they should, and how they go about it and returning to their lives as best they can is told with great gusto and flair, as their world starts to change forever. A great young adult read for teens aged 14 and over.
And here’s an extract from the review in Claire’s Reads and Reviews :
This book was full of twists and turns, conspiracies, relationships, secrets, danger and action. I really couldn’t foretell anything that was going to happen and it wasn’t always clear who to trust or who to believe. There were plenty of people and factions to be wary of along the way and there were some unexpected allies too.
I recommend this if you are looking for something engaging and different.
Absolutely delighted with the fantastic review by the wonderful writer Carmel Bird of French Fairy Tales, my book with Lorena Carrington. The review was published today in the Weekend Australian Review, and it’s the kind that every creator dreams of getting…really made my day!
I was so delighted this week to see the fabulous first advance review, in Books +Publishing, for my YA speculative fiction thriller, The Ghost Squad. The book is released on February 1st, 2021 by MidnightSun Publishing.
With the permission of Books +Publishing, here’s a short extract from the review (reviewer is Stefen Brazulaitis, owner of Stefen’s Books, in Perth)
This is a dynamic and exciting thriller with smart, relatable characters, similar to Sean Williams’s ‘Twinmaker’ series. It’s intense, but without profanity and virtually no violence. Though the death/afterlife aspects of the story are important, its core is about trust, loyalty and the courage to do what is right—even at a personal cost. Although it’s not quite as dark, The Ghost Squad should appeal to fans of Stranger Things and readers of John Marsden’s ‘Tomorrow’ books.
Woohoo! Don’t mind at all being in such great company 🙂