Interview with Richard Moon, author of Moon On A Spoon

Moon on a Spoon, a lovely combination of food-centred memoir and cookbook, is the creation of acclaimed silverworking artisan and former professional chef, Richard Moon. With an engaging warmth, humour and clarity, Richard gives the reader glimpses into the various people and places which influenced his cooking style as well as his life, from the Queensland potato farm of his early childhood to his high-school Home Economics classes, from years in the RAAF’s newly-opened catering unit in Adelaide making large quantities of food, to cooking in all sorts of restaurants and cafés in the Blue Mountains, from time as sous-chef and trainer at a very multicultural hotel training school in the Mountains, to creating dishes for food media while discovering a new direction, as a creator of wearable silver jewellery, and finally and eventually starting a creator-centred business, The Makers Shed, in rural northern NSW, with his partner in life and business, author and journalist Michael Burge, who has also written the engaging foreword to this book.

The book is beautifully structured, each segment of Richard’s story accompanied by relevant recipes, which cover an eclectic range, from his father’s favourite Banana Caramel Pie to an airforce crowd-pleaser of Brie Burger, from a Potato Waffle created in a Blue Mountains café (and I so agree with him regarding the sadly underestimated but so very versatile and wonderful spud!) to making Tarte Tatin (one of my favourite sweets ever!) for a fabulous French restaurant in Hartley Vale, just over the Mountains; from a Black Sticky Rice recipe in another café to Filipino beef stew from his time in the hotel school to truffle butter created after visiting a truffle farm during his food magazine days; from quince paste first devised after foraging for the wild-growing fruit to a home-made Worcestershire sauce. All the recipes are clearly explained and are practical yet enticing.

I caught up with Richard not long after the book’s launch by publisher High Country Books.

Richard during his time at Blue Mountains International Hotel Management School.

1.First of all, Richard, congratulations on the publication of Moon on a Spoon! Can you tell us a bit about how it came about?

Thank you for the generous intro Sophie! To be honest, it was when Michael and I were driving up to Queensland a couple of years ago, and, inevitably, talking about The Makers Shed and the local artisanal products we stock, particularly while we were expanding the range of books on offer. We decided a cookbook would be a good addition to the collection at High Country Books, the little bookshop within our gallery. Racking our brains thinking of whose book we could stock, we hit on the idea of publishing our own! I had a large collection of recipes and some amusing anecdotes from years in the kitchen, and Michael can put a good book together… so Moon On A Spoon was born as the second publication of our imprint!

2. What was the process of writing it like? Were there any particular challenges—or pleasures?

I’m not a natural writer, so Michael was on my case regularly, reminding me to, “Just add a little more.” It was interesting revisiting my other life… so many memories, some fond and some I’d rather not revisit. Only the fun ones went into the book… we didn’t want a tragedy!

3. How did you choose the recipes you include in the book?

There were a few must-haves in my collection. All the recipes we included have been made so often, they’re like old friends. An old Air Force mate, when she heard about the book, asked if the Chicken and Yoghurt Pie was in? Of COURSE! I couldn’t leave that out!!! A couple of the recipes were requested over the year by Gourmet Traveller magazine for their Fare Exchange section, so those were included. In the end, I treated the process like composing a menu (a really big one)… that was always a favourite part of my work. Combining tastes, textures and eye appeal while ensuring a variety of dishes for everyone no matter their dietary requirements.

Richard on a field trip to a Hawkesbury oyster farm

4. You have had such a richly varied professional life and the stories you tell about it are very engaging. But is there anything else, in terms of cooking/food experiences that you would have liked to do but didn’t get around to?

I would have liked to work overseas for an extended period. Unfortunately I never had the courage or connections to do it. Instead, I simply savoured the tastes of the countries and cultures I’ve visited. I remember places by the food I ate there! Otherwise, looking back, I’m satisfied with my career in food. From occasionally cooking for masses in tents on stoves that ran on jet fuel, to busy cafes, to exquisite French fare, to teaching, with forays into food styling and foraging in between (and sometimes concurrently), gotta be happy with that unique journey.  

5. A cheeky question, this one—is it always you who cooks at home or do you and Michael share it?

It’s normally me doing the cooking. To be honest, that’s mostly because I hate washing up! Michael is a good cook though and rustles up a satisfying meal when he has time. He’s actually concocting a Mexican feast right now, to give me space to write this!

Richard Moon, silversmith

6. What do you hope readers will get from your book?

Well firstly, I hope they get a bit of a laugh at the more amusing anecdotes that I’ve shared in the book. Then I’d like to think that they enjoy cooking the dishes that I selected (I’ve had a few folks tell me they’re loving them). Ultimately though, my wish is that anyone considering a change of career in midlife, may be emboldened to do so! The metamorphosis will probably not be instant… it took me six years of study and practice before silversmithing became my full-time career. But with courage and tenacity, life can take a whole new direction! And I’m so grateful.

Moon on a Spoon is available from High Country Books at The Makers Shed, Deepwater; The Seasons Store, Uralla; The Reader’s Companion, Armidale, or Wise Words Bookshop, Moree.

Interview with Lorena Carrington about A Puzzling Pursuit

I’ve always been in awe of the extraordinary, multi-faceted talent of my lovely friend and fellow creator Lorena Carrington, with whom I’ve been lucky enough to collaborate on several works, including picture books (Satin and The Giant) two collections (French Fairy Tales and Magical Tales from French Camelot) and three productions in our joint Pardalote Press imprint (two books, Bird’s Eye View and Secrets of the Good-Fairy House and Wayfarer, a pack of myriorama storytelling cards). As well, in 2024 I was proud to have been involved in publishing Lorena’s first junior fiction title, Leaf Letters. And now, I’m thrilled to see Lorena’s new book, A Puzzling Pursuit (Penguin), which was officially released last week. A fabulous combination of mystery, puzzles and travel, the book features ten baffling cases around an overarching mystery, accompanied by a hundred illustrated puzzles to help you crack the cases, all within a breakneck race around Australia. It’s a fabulous book and a fabulous concept and I caught up with Lorena to find out more about it.

1.First of all, Lorena, congratulations on the publication of A Puzzling Pursuit! Can you tell us a bit about how it all came about?

Thank you! Like so many of my books and projects, I fell into working on this book from a bit of a sideways angle. It all started with Leaf Letters actually! I had heard that cryptic crossword writer Liam Runnalls had moved to town, and messaged him to ask if he’d like a copy of the book. I had name-checked him and David Astle in it very briefly. We caught up for coffee a couple times, and then he asked me to proofread (proof-solve?!) the puzzles in his book Birdle (https://www.penguin.com.au/books/birdle-9781761350429). That put me in contact with the delightful Ashwin Khurana at Penguin, and I’m afraid I harassed him until he suggested an Australian themed murder mystery puzzle book. I put together a proposal for them early last year, then spent six months frantically attempting to ‘walk the talk’ of all I had promised!

2. I know that you are a dedicated crossword and puzzle fan, not just as a reader/completer (if that’s a word! ) but also as a creator of them. What first drew you to them?

I’ve always loved puzzles, especially book related ones. As a kid I was obsessed with Graeme Base’s The Eleventh Hour (https://www.penguin.com.au/books/the-eleventh-hour-a-curious-mystery-9780140541489), so much so that I’d start seeing little hidden mice in real life. And also Masquerade by Kit Williams. I also loved Rolf Heiman’s Maze books. As a adult, I fell in love with cryptic crosswords, and of course joined the Wordle craze along with everyone else in 2020. It’s still the first thing I do every morning – I currently have a 1223 day streak to uphold!

3.Did you have the whole concept for the book in mind from the beginning—the structure, characters, places etc?

This is the book that taught me I’m a plotter at heart. Everything had to be laid out carefully before I began. I wasn’t just plotting a (fictional) murder. I also had to plan out a realistic road trip that covered every single state and territory, create ten themed cases within that trip, and try and pack in as many Australian motifs and icons as I could. I created a very strict scaffolding for the whole book to fit in. Essentially one whole narrative, containing ten cases, each of which contain ten puzzles. They all had to flow together but also stand-alone. I was very grateful for all that planning work when it came to writing the story and creating the puzzles.

4. What was the process like—creating not only the stories but also the puzzles, and fitting everything together? What were the challenges, and high points? And did you work closely with editors from the start or create it all and then submit it for editing?

Once I finished all that plotting, all I had to do was to weave it together into a narrative that was interesting, made sense, and tied in with the 100 puzzles that I also then had to create and illustrate. Easy, right? 🙂 I had previously created a first chapter and outline for the book proposal, which was a great foundation to start from when it got the green light. With a pretty tight turn-around, I worked every single day without a break for about 5 months. I tried to keep up with creating the puzzles alongside the story as I wrote it, which meant I didn’t feel as overwhelmed by the work to come.

I’d say the biggest challenge was creating a good variety of puzzles that also fit into the story. I also didn’t do myself any favours by writing it in second person! Or by making sure the protagonist (you) and the antagonist (X) were free of any gender indicators. I wanted to make sure that ‘you’ were always you the reader. No only did I have to think about the actions of ‘you’ the character, but also everyone else’s reactions to them. Oh what a tangled web I wove for myself…

The upshot of all the previous planning is that I didn’t need a structural edit. After I handed in the manuscript, we went straight to a copy edit, which was such an incredibly joyful process. My brilliant editor picked up on so many things I hadn’t thought of, and whipped my timeline into shape. After that, Penguin brought in someone to check the puzzles, and then we did a couple of proofreads, and a little bit of revision on the layout, and we were done. There were way fewer tears than I expected with a project of this complexity!

Typing ‘The End’ was certainly a highpoint! I had taken myself away on a mini retreat to Ballarat, while my partner was there working on an exhibition. While he was off working hard, I sat on the B&B couch, drank copious amounts of tea and wrote for two days straight. Finishing a project is always satisfying, but this one felt particularly so! I loved every minute of working on it, but there were certainly times I wondered if I could pull it off.

5. Browsing in bookshops after I picked up my copy of your book, I noticed that there are quite a few popular titles around that combine mystery and puzzle types (such as Murdle etc). How do you think your book fits into that genre, and how does it differ from them?

Yes, Murdle is a real phenomenon isn’t it! My hope is that this book will capture that puzzle audience, and then hook them in with a story too. I think a big difference is that A Puzzling Pursuit is very narrative focused. Yes, the text carries you from puzzle to puzzle, but it’s not its only purpose. There’s a rollicking adventure in there, with side quests, drama, and hopefully plenty of humour. I intentionally created the book to appeal to a range of readers: the ones who are only there for the puzzles, those who would rather get involved in the story, and those who are in it for the whole experience! I hope everyone finds it a happy distraction.

6.I know it might be a bit early to ask—but I’ll ask it anyway 😊 What has been the response of readers to your book?

It’s a tiny bit early! 😁 Most of the responses have been ‘look I found it in a bookshop!’, with accompanying face-out photo which is always so exciting! Not many people have had the chance to start it yet, let alone finish it. Though I have already received my first ‘correction’ – and it probably won’t be the last. The great thing about puzzle people is their attention to detail!

7. Are you planning to write more in this genre? And what else are you working on?

I would love to create more books like this! I’m playing with a couple of puzzle book ideas, including a possible sequel to A Puzzling Pursuit. But I’m also diving back into kids’ books with a middle grade novel I’ve been working on for a while. I’m on the home stretch, so having a great time writing the final scenes full of drama – and sea monsters! There’s a good chance I’ll sneak a few puzzles in there too. 🙂