I’m very pleased to announce that Cold Iron, The Green Prince and The Firebird, my three YA fantasy novels that were originally selected for the fabulous Untapped project and republished as ebooks available to buy and borrow, will now also be republished in print, by Brio Books/Booktopia. The books were originally published in the late 90’s and early 2000’s, and were popular with readers, so it’s wonderful to see them acquire a new lease of life in both print and e-editions. And just look at their striking new print covers, below! (You can also see a link to the page for each book, under its cover.) The novels are being published over July, August and September this year within the Untapped series, which includes lots of other wonderful, previously out of print books by a large range of fantastic Australian authors, both for adults and young adults. You can check out the whole series here. All books are available to be pre-ordered now.
In this short video, I read an extract from my short story, The Silver Apples of the Moon, which was published in the superb illustrated anthology, South of the Sun: Australian Fairy Tales for the 21st Century, released earlier this year by the Australian Fairy Tale Society and Serenity Press.
The story is a mix of fairytale, crime thriller, and the supernatural. Hope you enjoy the reading and that it stimulates you to want to read it all and seek out the anthology, which is packed full of extraordinary stories, poems, lyrics and illustrations from both established and emerging Australian writers and illustrators. (By the way, this is very much an adult book, not one for kids.)
It’s always wonderful when fellow creators working in other art forms are inspired by your work, so I was delighted when French Fairy Tales, my book with the wonderful illustrator Lorena Carrington (Serenity Press 2020), became the inspiration for talented musician and composer Reilly McCarron’s new album, Il était une fois (once upon a time in French). The album will be released in April by Serenity Press, and it features Reilly’s haunting compositions and soundscapes, brief readings in French translation by Cathy Abadie of snippets from my own retellings of the stories, and evocative singing by Cathy of the beautiful old song, A la claire fontaine. It’s amazing, actually, to hear Cathy’s translation of my retellings of the tales, because I created the English translations directly from the French originals, and now they’ve cycled back into French, but using my words!
You can read more about the album in this post by fellow fairy tale aficionado Louisa John-Krol, and watch a gorgeous trailer for the album below.
Absolutely delighted with the fantastic review by the wonderful writer Carmel Bird of French Fairy Tales, my book with Lorena Carrington. The review was published today in the Weekend Australian Review, and it’s the kind that every creator dreams of getting…really made my day!
It was such a wonderful launch last night, so much enjoyed it! Below you can find a link to the video of the launch(which was live online)
To get a copy of the book, visit the Serenity Press website. Here’s a link to the print edition: https://www.serenitypress.org/product-page/french-fairy-tales
And here’s a link to the flipbook edition(like an ebook, only better!): https://www.flipsnack.com/…/french-fairy…/full-view.html
I’ve made a video presentation about the inspirations and sources behind my retellings in French Fairy Tales, which includes both personal and family connections, as well as information about the tales themselves. Hope you enjoy!
And by the way, on November 7, at 2-4 pm(Australian Eastern daylight saving time) I’m running an online creative workshop for the New England Writers’ Centre, via Zoom, on how to retell fairy tales and how to adapt them for your own fiction. You can check out details here.
I’m very pleased to announce that I’ll be running a two-hour online fairy tale workshop, Once Upon A Time, for the New England Writers’ Centre on Saturday November 7. It will fit in with the publication of French Fairy Tales, my book with Lorena Carrington, which is being published by Serenity Press on October 30. In the workshop, I will look at the tradition of the fairy tale and how writers can use these wonderful old stories as inspirations and sources for their own fiction. Whether you want to retell fairy tales in your own unique way, or create novels based on fairy tale, this workshop will show you how to create enchanting and imaginative storyworlds.
The workshop is open to anyone around Australia, but numbers are limited. More information and how to book here.
Over at my fairytale blog, I have a post which is part of a series about some of the great classic French writers of fairytales, from whom I’ve drawn my sources and inspirations for my own retold tales in my forthcoming collection with Lorena Carrington, French Fairy Tales (Serenity Press). You can read the introductory post here. More to follow later.
Today I’m welcoming my wonderful co-creator, Lorena Carrington, to this blog, to write about the travels in France that helped to inspire her glorious illustrations in French Fairy Tales. All photographs in this post are by Lorena. French fairy tale travelling, by Lorena Carrington In late September last year, I touched down in France with […]French fairy tale travelling, by Lorena Carrington — Sophie Masson’s Fairytale Country
Cross-posted from my Fairytale Country site.
Today I want to write a bit about the castle that for me, since childhood, has represented the absolute epitome of the classic French fairy tale setting: and that is the gorgeous small chateau of Azay-le-Rideau, in the Loire Valley. Of course the Loire Valley is full of beautiful castles; but this one is my favourite of them, indeed it’s my top favourite in all of France. Not only does this absolute jewel of a chateau represent for me that epitome of fairy tale magic and charm, but it’s also the setting for the Beast’s castle in my retelling of Beauty and the Beast, which is the longest story in French Fairy Tales.
Built in the early 16th century on the ruins of the previous fortress suited there, the castle of Azay-le-Rideau has a tumultuous history. It’s situated within the charming little village of the same name, down a small road away from the main highway, amongst green fields and little woods. The castle is set on a small lake, in superb parkland, and I’ve visited it a number of times, the most recent being in September 2018. That time, in a glorious early autumn with blue skies and trees still green but starting to turn gold, we stayed in a lovely little hotel in the village, a few steps away from the castle. At the time we were there, an extraordinary, eerily beautiful art installation called ‘Les enchantements d’Azay‘, by artists Piet.sO and Peter Keene, was displayed in the castle. Together, the castle, the parkland gardens, the art installation, and the amazing, magical feel of the whole place, were just the most perfect elements to help create the Beast’s world.
It isn’t just in Beauty and the Beast, however, that you will see the enchanting influence of Azay-le-Rideau; for in the next post, Lorena will be writing about how her own stay there and her visits to other places in the Loire Valley, became the source for her glorious illustrations in French Fairy Tales.