The Ghost Squad is out today!

I am thrilled to announce that today is the official release of my new book, The Ghost Squad, published by MidnightSun Publishing and now available in bookshops all over Australia. Hurrah!

As readers of this blog know, the novel, a young adult speculative fiction thriller set in a disconcerting world, was first written as the creative part of my PhD at the University of New England (I was awarded the PhD in 2019) and subsequently acquired by MidnightSun Publishing.  It is immensely exciting to see the novel out there in beautiful book form and for that I wish to greatly thank Anna Solding of MidnightSun Publishing, who so warmly and thoughtfully responded to The Ghost Squad from the start, and many thanks to all her great team as well. I am absolutely delighted that the novel has found its perfect home with such a wonderful publisher. Many thanks to my fantastic agent Margaret Connolly, who always sees the potential in my work, no matter how ‘left-field’, and without whose unfailing support my career would never have been as fortunate and enduring as it has been. And thank you to UNE and my supervisors, especially Dr Yvonne Griggs, whose unfailing support, encouragement and thoughtful readings throughout the PhD helped so much in the development of the novel.

I hope many, many readers will enjoy The Ghost Squad, as this lovely early reader did in a wonderful advance review in Books+Publishing. If you’d like to know more about the book, have a look at the dedicated page to it on this blog. You can also read a short interview with me about the book on the international writing blog, Writer Unboxed. And if you’d like to get a taste of the novel’s atmosphere, do check out the fabulous trailer here.

Writing an audio novel, part 2

I’m now three chapters into the writing of A Turn off the Path, and already I’ve noticed I’m handling the writing of it a little differently to when I write a novel intended to go to print. For a start, I am reading each chapter aloud as I finish writing it, and go back over it, reading it aloud again to check if the sentences sound right when they are spoken. Don’t get me wrong; I always ‘hear’ the sentences in my head when I write a novel, and very often I’ve read passages aloud to know exactly where the rhythm of a sentence is faltering. But this is much more marked, in this one.

I’m not finding that I’m writing shorter sentences, as I’d half-imagined when I started. There’s a mix, as usual, of short and long sentences, and I’ve always used punctuation, including the dreaded semi-colon(which I think is very much unfairly traduced!) to mark natural pauses in the soundtrack in my head that gets translated into words on the page, or rather screen, at this point. I’ve also always treated each chapter as a mini-story but with a twist, small or otherwise, that carries you onto the next. That’s the same, in this one. And I’ve often used different forms of narrative to carry a story forward and to express different points of view. That’s similar too, A Turn off the Path–the main narrative is from the point of view of Helen, who gets left behind in Saint Jean while her sister Alex keeps to the plan and the Camino, but you also hear Alex’s voice through the blog posts she writes to update family and friends about the walk. It’s working well, so far. I’m also very much a visual writer, and love to paint word-pictures of places and people and atmospheres; but in this novel, I’m also very focussed on sound, not just the way that the sentences sound, but also other things. For example, I’m putting in small references to Basque words in the novel: but I’m very much aware that it’s one thing to think of what you can put on the page, in an audio version you also have to consider how the narrator might pronounce such words, and give extra clues to it. There’s also other sound elements to flag, like saying that someone has a slight accent you can’t quite place, and the sound of bells over the town. It’s not that I wouldn’t include those things in a novel normally, because I do; it’s just that I’m more conscious of it in this one, and more conscious too of how it might sound coming through your earphones.

Listening to Saint Jean: photo by Sophie Masson

A bit about the world of The Ghost Squad…

What if there was scientific proof not only that the afterlife existed, but that everyone had an afterlife marker, similar to a genetic marker, that coded them irrevocably for their existence post-life? What if that explosive proof had been hidden from the general public by a worldwide conspiracy of silence, supposedly in order to protect the population from panic, but actually to facilitate secret experiments being conducted to push the boundaries of government surveillance and control, even beyond death itself? 

In the world of The Ghost Squad, everything seems normal to most people, the new normal that is, with all electronic communication strictly controlled and social media banned. Twenty years previously, a major solar storm had caused a massive electro-magnetic pulse which not only knocked out all computer-controlled technology and power around the world for quite some time, but triggered what became known as the Anomaly, the first indication of the afterlife markers of human beings. Since then, the followers of Hermes, a secretive whistle-blower, who operate out of an underground network, the Base, have been attempting to bring knowledge of the secret to the population in general. They are locked in a constant clandestine struggle with the forces of the Ghost Squad, who work for secret government research centres known as PLEIFs (short for Post-Life Entity Index Facility) , who are known to abduct people whose unusual afterlife markers show them to be of particular experimental interest.

The Ghost Squad is set in a contemporary/near-future time, in places which have deliberately not been tethered to real-world geography, though several settings are inspired by real-world places, including in Australia, New Zealand, Japan, the UK, and Russia.

New blog series: Writing an audio novel, part 1

Introduction

Readers of this blog may remember that just before Christmas I got some very welcome news: I was awarded a grant by Create NSW, the NSW Government’s arts-funding body, to create the ms of A Turn off the Path, a short novel for adults which I’m writing specifically for the audio format. This will be then submitted by my agent to Audible for consideration for their Audible Originals list.

It’s an exciting new challenge for me and I’m so delighted to be able to work on over the next few months, thanks to the generous Create NSW grant. I’ve been doing a bit of background research for it since early this month but have now started work on it, with the draft of the first chapter begun yesterday. Over the next few months, as I write it, I’m also going to post regularly about the book and what it’s like to write a novel with an eye(or rather an ear!) to the audio format: thought that might be of interest to other writers contemplating the possibility of doing the same. This post introduces that series with a bit about what A Turn off the Path is about, and in future posts I’ll write about the background to it, why I wanted to write it, and how or indeed if the writing of an audio novel differs from one that you intend for print.

Something about the story:

Set in the picturesque French Basque town of Saint Jean Pied de Port (Donibane Garazi in Basque) in May 2017, A Turn off the Path is centred around twin Australian sisters, Helen and Alex Dorian, who are in the town at the start of their planned walk on the famous Camino, the pilgrim route to Santiago del Compostella. It’s something they’ve wanted to do since they were very young, but it’s only now, as they approach their fiftieth birthday, that they’ve finally found the time to do it. But when Helen injures her leg on the very day of their arrival, she has to stay behind in the town while Alex proceeds with their plans, and a very different experience to what they’d hoped for unfolds for the sisters. And when Helen unexpectedly meets an old schoolmate who is in Saint Jean to explore his Basque family roots, events really take ‘a turn off the path.’

This will be a lively, warm and thoughtful novel, exploring relationships, the past’s effect on the present, and the dream and reality of the modern pilgrim experience. It also has a strong sense ofplace and culture: as my mother’s family is part-Basque and has always lived in the Basque country, and two of my own sisters now live there too, I know the area well and I’ve been to Saint Jean Pied de Port itself many times from my childhood onwards.

A street in Saint Jean Pied de Port (Donibane Garazi): photo by Sophie Masson

Something about The Ghost Squad…

In the next few weeks, leading up to the release of The Ghost Squad, I’ll be posting snippets about the book, its background and inspirations, but I thought I’d start today with a short outline of the story, which includes the back cover blurb but expands a bit on it…

Imagine a world where all seems normal and yet nothing is – a world very much like our own, yet jarringly unlike. A world where two clandestine organisations, the Ghost Squad and the Base, are engaged in a secret battle for control of information so dangerous it could literally change life as humans have always known it…

Sixteen-year old Polly Sikorski lives an ordinary life in an ordinary small town with her mother, a homicide detective. But when her mother goes missing while investigating a case, Polly is catapulted into a very different life, where nothing will ever be the same again. Running from the police, she encounters seventeen-year old Swan, a tough young Base operative. On their way to shelter, they come across a little boy, Kel, who’s on the run, and take him under their wing. It is a momentous decision that will take them into the dark heart of the shattering secrets that lie behind the apparent normality of the world. Battling to find answers and protect Kel from his pursuers, they run into greater and greater danger.  As the Ghost Squad and the Base close in on them and the story races to its thrilling conclusion in the eerie, steam-wreathed town of Hot Springs, Polly and Swan must face the most stunning discovery of all.

A bold, exciting YA novel with thrilling twists and turns, The Ghost Squad is a novel that will keep readers guessing – and keep them awake at night!

Fabulous advance review of The Ghost Squad!

I was so delighted this week to see the fabulous first advance review, in Books +Publishing, for my YA speculative fiction thriller, The Ghost Squad. The book is released on February 1st, 2021 by MidnightSun Publishing.

With the permission of Books +Publishing, here’s a short extract from the review (reviewer is Stefen Brazulaitis, owner of Stefen’s Books, in Perth)

This is a dynamic and exciting thriller with smart, relatable characters, similar to Sean Williams’s ‘Twinmaker’ series. It’s intense, but without profanity and virtually no violence. Though the death/afterlife aspects of the story are important, its core is about trust, loyalty and the courage to do what is right—even at a personal cost. Although it’s not quite as dark, The Ghost Squad should appeal to fans of Stranger Things and readers of John Marsden’s ‘Tomorrow’ books.

Woohoo! Don’t mind at all being in such great company 🙂

Cover reveal for The Ghost Squad!

Thrilled to reveal the atmospheric cover of my upcoming YA novel, The Ghost Squad, to be released by the wonderful publisher, MidnightSun Publishing, in February 2021. Isn’t it gorgeous!

Here’s the blurb:

Imagine a world where all seems normal yet nothing is -a world very much like our own yet jarringly unlike. A world where two clandestine organisations, the Ghost Squad and the Base, are engaged in a secret battle for control of information so dangerous it could literally change life as humans
have always known it…
A bold, exciting novel with thrilling twists and turns, The Ghost Squad is a novel that will keep readers guessing – and keep them awake at night!

And here’s a little video I made for the publisher, introducing The Ghost Squad:

Launch of French Fairy Tales online!

I’m delighted to announce that French Fairy Tales will be launched in an online event on Friday November 20, at 6.30 pm Australian Eastern Daylight Time. Here’s the description of the event from the publisher, Serenity Press:

Join us to celebrate the release of French Fairytales by Sophie Masson and illustrated by Lorena Carrington. Both Sophie and Lorena will be in conversation with the publisher Karen Mc Dermott.
It will be an evening of celebration for this beautiful book and all things French Fairy Tales.
You can join us on zoom (Link posted before the event) or watch live on Facebook.

All welcome! The Facebook link to the event is here.