Lovely double celebration last night in beautiful bookshop, Reader’s Companion in Armidale, for both In The Paris Fashion and The Fishmonger and the Pastry Chef!







When I was in Sydney last week, I caught up with the wonderful Cheryl Orsini, my co-creator on The Fishmonger and the Pastry Chef–she created the glorious visual world of the book. Cheryl brought along her original artwork for the book, and explained how she creates scenes in layers–it was absolutely fascinating and so stunning! I took heaps of photos–have a look at these.















I’m delighted to say that I was interviewed by fellow writer Brenton Cullen on his blog, about Bold Ben Hall, research, writing about the past, and quite a few other things. Really enjoyed the interview, hope you do so too!
Here’s a short extract:
1. Congratulations on your latest fantastic historical novel Bold Ben Hall! What prompted you to write this book?
SM: Thank you, Brenton! Ever since I was a kid I have always been fascinated by the bushranger era, and the larger than life characters who inhabited it, especially those with an interesting backstory, like Ned Kelly (who features in two of my earlier novels, The Hunt for Ned Kelly and Ned Kelly’s Secret) and Ben Hall.
Both men were not ‘common criminals’ but complex figures with both ‘the dark and the bright’ in them (to quote something Ned Kelly once said). And it struck me that I could tell the story of Ben Hall in a way that would highlight that, through the differing viewpoints of two young people of his time.
You can read the whole interview here.

Here’s the second part of my interview with the wonderful Brenton–this one looks at the course of writing careers, at publishing, at rewriting etc. It really has been one of the most enjoyable interviews I’ve ever had!
I had a fantastic wide-ranging conversation over Zoom yesterday, with the wonderful writer, blogger and interviewer Brenton Cullen, about all kinds of things to do with my writing, books and career, and it’s now up on Brenton’s You Tube channel. It was such an invigorating and enjoyable experience!
I was interviewed recently for the fabulous bilingual blog, Matilda Marseillaise, and the interview has now been published, in both French and English (I spoke to Matilda in French and she translated back into English). Centering on The Paris Cooking School and its influences, it also focuses on my background and experiences, the creative process, and Paris itself. Here’s a short extract:
The book has three narratives, you might say, because the book tells the stories of the three main characters. Did you write them in the order we read them? Did you write separating the chapters of each character’s story?
No, I wrote it chronologically. So I knew I wanted to write one chapter from Gaby’s point of view and then one chapter from Sylvie’s point of view, and one chapter from Kate’s point of view.
And then, at the beginning, so in the first chapter, you’re introduced to the 3 characters, they’re in the same chapter, but then they each have a chapter until the end when they all come back together. I always write chronologically. I know there are writers who write a chapter here, a chapter there and then they put it all together. But I can’t.
I can’t because my experience is almost like watching a film and it has to unfold chronologically. I can’t simply make a flash here, a flash there and then put them together to make an image. I have to follow the story and so I say, OK, today I’m going to write the chapter from Gaby’s or Kate’s point of view and that’s it, that’s where it’s going to happen.
Often what I do is, I’ll go for a little 5-minute walk or something. It’s just to start the first paragraph of the chapter I’m going to write that day and then there it is, so Gaby does this, or Kate does that. I even talk to myself about everything. It’s a good thing there aren’t too many people passing by, otherwise they’d think I’d lost my mind!
You can read the whole interview here.

I’ve just come back from a lovely few days in Sydney, visiting fantastic bookshops, talking to enthusiastic booksellers, signing piles of copies of The Paris Cooking School and talking at a fabulous event at the Alliance Française, presented by Sydney-based French writer Olivier Vojetta. It’s been an absolutely invigorating, fun and exciting time, culminating in discovering at Sydney Airport that my book was number three bestselling book in their very popular bookshop! Here are a few pics from this week.












I’m heading off to Sydney in a couple of days, and one of the highlights will be the official in person launch of Satin, next Tuesday, March 14, at 4pm at the gorgeous Better Read than Dead bookshop in Newton. Lorena and I will both be there, to read from and talk about the book, sign books, and meet readers! Everyone is very welcome, we’d love to see you there! It’s a free event but the bookshop would appreciate it if people can register if possible(though of course you can also just turn up, if you run out of time) Here’s the registration link.
We’ll also be celebrating Satin through school visits, organised by the wonderful people at The Children’s Bookshop. And calling into city bookshops to say hi. It’s going to be a great week!
And those reviews just keep coming–we had another couple of lovely ones very recently, here and here. Seems readers are really taking Satin to their hearts, which warms our hearts, too…

Wattle blooming
By Sophie Masson
Sudden bursts of gold,
Sweeping colour bold,
By rivers, by roads, in country and town,
In farms and gardens, the wattle’s the crown.
Of the end of the winter, beginning of spring,
The blooming of wattle will sing and sing
Of birds in their nests and the warm days to hand,
For the wattle is blooming across the land.



Something a bit different: a little video I made about an ocean voyage, from Australia to France, on a French ship, through the Pacific, Carribbean, Atlantic and then Mediterranean, a voyage which I went on as a child, with my family. It was an amazing trip whose memory still lingers in my mind, and which has inspired scenes in more than one of my books. My dad documented it all with his trusty super8 film camera, my brother-in-law recently converted the films to MP4 files, and I’ve made the video from screenshot stills captured from the films. I hope you might enjoy it!