historical fiction

Leave a comment Posted on Book talk, children's fiction, forthcoming books, historical fiction, Reviews

Fabulous first review for The Key to Rome!

The Key to Rome, my historical mystery novel for middle-grade readers set in Roman Britain, has just got its first review, one week ahead of official release, and it’s an excellent one! It’s reviewed by Heather Zubek in the West Australian. Here’s what she said:

A dying man’s promise, a mysterious key, and a dangerous journey in ancient times; The Key to Rome is a story that will keep you reading until way past your bedtime. Set in the Roman Province of Britannia in AD84, the story sees 12-year-old Livia keeping a promise to her dying father to deliver a key to her estranged uncle. Along her perilous journey, Livia meets Mato, a boy who needs to see his dying mother before it’s too late. Together the two travellers make their way through ancient lands where they learn that the key may hold a dreadful secret. Multi award-winning author Sophie Masson has created a thrilling historical adventure that not only excites but teaches us about the troubled times in which the story is set. For ages 9+.

A great start for the book–thank you, Heather!

Leave a comment Posted on announcements, Book talk, forthcoming books, historical fiction, middle grade fiction, trailers, Videos

Fabulous little trailer for The Key to Rome!

There’s a fabulous little trailer for The Key to Rome, my forthcoming middle-grade historical mystery novel, now up on the Christmas Press You Tube channel. The book’s coming out in May and I’m really looking forward to its release. It’s been many years in the making, ever since I found a Roman key-ring in a London antique shop. I’ve written a bit about it here but will write a bit more about it later. But today, do enjoy the trailer!

Leave a comment Posted on Book talk, historical fiction, middle grade fiction, New books, Reviews

Lovely first review for Sydney Under Attack

Just seen the first review of Sydney Under Attack, and it’s great! It’s by Ashleigh Meikle on the Book Muse blog. Here’s a short extract:

2022 marks the 80th anniversary of these attacks – which makes novels like this poignant and important. They remind us that everyone was touched by the war in some way – whether on the home front, on the battle fields, or through knowing someone affected by events far from where they lived, such as Mrs Stein being unable to help her family escape persecution in Europe. Sophie Masson not only touches on how Nick and his family are affected, but how Jewish people are affected, how people who have family stuck in other theatres of war were affected, and how assumptions about someone based on appearance can change when you get to know the person and understand them, and find out that they’re just a normal person, not a spy at all.

You can read the whole review here.

Leave a comment Posted on announcements, community arts, creative activities, historical fiction, workshops, writing life

An article on community writing challenges in the pandemic

An article in which I was a joint contributor, wearing my hat as Chair of the New England Writers’ Centre, has just been published in the international academic journal Reflections, which focuses on issues of community writing engagement. The article, written with Ariella van Luyn from the University of New England(who is also on the NEWC Board) and Lyn Aspey, current NEWC program manager, is about how NEWC had to move our program online during 2020 and the first covid lockdown, and is centred in particular around the online course in historical novel writing which Ariella ran that year. Each of us wrote our sections from a particular perspective; myself as Chair, Ariella as course facilitator/presenter, and Lyn as both a course participant and later program manager. Ariella also wrote the introduction and conclusion.

Thought it might be of interest to readers: check it out here.

2 Comments Posted on announcements, Cover reveals, forthcoming books, historical fiction, middle grade fiction

Cover reveal for Sydney Under Attack!

I am excited to reveal the absolutely stunning cover of my forthcoming historical novel for middle-grade readers, Sydney Under Attack, which is set in late May and early June 1942, at the time of the Japanese midget submarine attacks in Sydney Harbour.

The book will be published in March 2022 by Scholastic Australia, it was edited by Clare Hallifax, and the cover was designed by Chad Mitchell. Isn’t it striking!

Here’s the blurb of the book:

In 1942, 12-year-old Nick lives in Rose Bay, Sydney, with his mum, dad and sister, and dreams of becoming a writer like his dad. But with the world at war, Nick is constantly on alert for anything that seems out of the ordinary and then late one night he sees it! A plane! But no-one believes him! Then, the unimaginable happens. Sydney is attacked! And Nick starts noticing people behaving strangely. Is it just his imagination or something more sinister?

I hope readers will much enjoy this novel, which is as much a mystery and spy story as it is historical novel and war story. Nick was a great character to write–he is so lively, energetic, and imaginative, even if he does sometimes gets hold of the wrong end of the stick 🙂 And it was a fascinating book to research, too–trawling through documents, archival films and photos, and Sydney newspapers of the time (thank you, Trove!)

The book is part of Scholastic’s Australia’s Second World War series–it’s the third one, in fact. And I wrote the first in that series, too, War and Resistance, which was published in 2019. Sydney Under Attack also has a link not only to War and Resistance, but to another novel of mine, 1914, published in 2014, which was part of another series Scholastic published, Australia’s Great War. The three novels are linked through one French-Australian family, the Jullians, who appear in different roles in each of the three books, as main characters in the first two, across two generations, and as important but not main characters in the the third. It has been absolutely amazing to have been able to do that and keep the link through the three books!

Leave a comment Posted on adult fiction, author talks, conferences, Creative life, historical fiction, presentations, Publishing business

Looking forward to the 2021 HNSA Conference!

I’m really looking forward to the 2021 conference of the Historical Novel Society of Australasia, which this year is fully online, and happening over two weekends, with bootcamps, manuscript assessments and masterclasses happening on the weekend of 16/17 October, and the main conference program on the weekend of 23 and 24 October. This is the first time the conference has been run online–it was a decision HNSA wisely made early this year, given the uncertainty surrounding the running of events.

HNSA runs absolutely wonderful conferences, and over the years I’ve had the privilege several times of presenting at these biennial events. This year is no exception, and I’m going to be appearing on both weekends, as part of an absolutely amazing program which I’m very proud to be involved in. Wearing my publisher hat, I’m going to be presenting the all-day Publishing Bootcamp on October 16, then, also wearing the publishing hat, I’ll be one of the judges in the popular First Pages Pitch Contest on October 23. Later on October 23 (quite late in fact!) I’ll be one of a group of people talking about translating historical novels in the Lost in Translation panel: I’ll be focussing there about the experience of being involved in helping to bring about the publication of a brand new English translation of the wonderful Jules Verne’s Mikhail Strogoff. Then on October 24 I’m chairing a panel called The Dark Heart, which looks at historical novels set in the 1830’s and 40’s in Australia, especially the convict period. It’s certainly going to be a very busy couple of weekends!

Check out all details of the wonderful program for the 2021 HNSA Conference here: it’s a real cornucopia of fabulous offerings! And of course, because it’s virtual, you can access it from anywhere. Registrations are open now: don’t miss out!

Leave a comment Posted on Book talk, children's fiction, creative process, historical fiction, work in progress, writing life

Physical journeys in fiction–my latest post on Writer Unboxed

In my latest post on the international writing website, Writer Unboxed, I write about physical journeys in fiction, concentrating on how I’m doing that in a historical novel for children that I’m writing at the moment, plus looking at the classic adventure novel I consider to be one of the great ‘road trip’ novels, Jules Verne’s Mikhail Strogoff. Here’s an extract from my post:

At the moment I’m writing a historical novel for children, set in the Roman province of Brittania (Roman Britain) in the late first century AD/CE. The novel involves a great deal of journeying, as the main characters attempt to meet up with someone who always seems to be a day ahead of them, and whom they have to chase after from town to town. Eventually they do catch up with him, but not in the way they hoped and it makes matters much worse as they then have to flee cross-country to escape pursuers! This is the part I’m up to, and I know my poor exhausted characters still have a way to go!

Most of my novels in fact involve journeys of one sort or the other, it’s a natural theme of my writing—perhaps because I was brought up between two countries, France and Australia, and we travelled so much as kids. But in this one, the structure and plot of the novel absolutely depend on the physical journey. Now when you’re writing a novel like that, you have to work hard to make sure that the constant traveling doesn’t get boring for the reader (as well as tiring for your characters).

You can read the whole post here–and please do make comments(on the Writer Unboxed site) if you like!

Leave a comment Posted on announcements, Book talk, children's fiction, Creative life, historical fiction, Inspirations

The key to a work in progress…

Some years ago, in a little antique shop near the British Museum in London, I bought an extraordinary object–a Roman key-ring, that is, a key designed to be worn as a ring. Made of lead, it was dated to the 1st century AD. It wasn’t particularly expensive, because apparently such rings are not uncommon finds. But I was immediately fascinated by it when I saw it in the window of the shop: it was the kind of humble object that propels you straight into another world, another time. And when I looked at it more closely, I saw that the ring size was very small–on my own hand, it only fitted on the little finger. So either it had been meant for a very small woman or a child, or it had simply been meant to be worn around the neck, on a leather thong or something similar. And what lock would such a key open? Definitely not a door, but probably a box of some sort. A money or valuables box? A medicine box? I had no idea as to the truth of it, but immediately what ifs began bubbling in my head…I began to see, through the mists of imagination, a figure become clearer, a young girl living in the province of Brittania whose widowed Roman father is an oculist, an eye-doctor(they were commonly found in Roman times, especially in Gaul and Brittania). And when he dies, he leaves her this key, a mysterious key that does not fit any of the locks of his boxes. And he tells her not to speak of it to anyone, but to find her uncle, who will know what to do. And so she sets off…

I began writing the story not long after I bought the key. But for various reasons–mostly because I couldn’t get past certain plotting problems with it–it never got finished or even really properly going. I had set it aside and almost forgotten about it until just a few weeks ago, when trawling through documents in my computer, I came across the outline and sample chapters which was all I’d written of the novel I’d called ‘The Key to Rome.’ Instantly, it called to me again. I got the key itself out of the display box in which we keep it and I looked at it for a long moment, and then I knew: I had to write this story! And now I knew just how to write it, and what I had to change to make it work.

So that’s what I’m working on: the unlocking of the story, and the real meaning of ‘the key to Rome.’ And now, somehow, all the plotting problems have disappeared, the story is powering along, simpler, tighter, stronger than I’d originally seen it.

And that’s why writing is so exciting!