It was exciting recently to get a signed copy of a beautiful new picture book, The Hole Idea, written by Beth and Paul Macdonald (known to many in the children’s book world as owners of the wonderful Children’s Bookshop in Sydney) and illustrated by well-known illustrator Nathaniel Eckstrom. It’s also the first title for new publisher Book Trail Press. It’s a gorgeous book, with an imaginative, funny, touching text, lively illustrations, and beautiful design, and will I’m sure find many fans.
I caught up with Paul and Beth to ask them about the book, and their new and exciting enterprise.
First of all, Paul and Beth, congratulations on the publication of The Hole Idea! Can you tell us something about how it started? What was the inspiration for the book?
Thank you for your congratulations.
This book represents two births.
We have set up a new imprint Book Trail Press– a collaborative publishing house that publishes four picturebooks a year.
We have both written books in the past but were keen on writing picturebooks.
The Hole Idea started with an idea formed in a writing workshop led by children’s author Zanni Louise.
You are joint authors of the book. Can you describe what it was like to work together on the text?
We work together and live together seven days a week. This was a really natural process. We discuss the main framework and our ideas. After we get a first draft written –the fun begins! We argue (not too much) and push back and forth. After 47 drafts and much debate our book was ready to go.
At what stage was Nathaniel Eckstrom the illustrator brought in? And how did the three of you work within the picturebook experience?
Although Beth is an illustrator (and has a picturebook coming out in July with Dirt Lane Press) we understand that a great picturebook has to be a marriage of text and pictures- the illustrations must speak to the text and vice versa. Nathaniel Eckstom was the perfect choice for this story. He is the award winning illustrator of seventeen books- and we knew his style was a natural fit for Finnian. He was bought in at the beginning stages – after just the first few drafts. We were keen to make it a collaborative process so wanted his input from an early stage and actually met around the table to develop the book together.
What was the process like for you, from first spark to production of the book? What were the challenges and pleasures?
Taking a book from the idea, through the writing and design process into print was a huge learning curve for us. We really wanted to understand all aspects of creating books. We really believe that it is a collaborative creative process. The book is the result of a team of six people- two editors, a great designer, two authors and an illustrator. We met, we discussed, we crafted a work that we are proud of.
We also learnt so much about the printing process and lots of new jargon!
The Hole Idea is also the first title in your new Book Trail Press publishing enterprise. How do you see Book Trail Press developing?
Book Trail Press is a boutique imprint. Our goal is to create four picturebooks a year. Books with heart, incorporating quality language. Books that focus on the creative process. We have commissioned an illustrator for the second book and the third is underway.
Paul, you are of course also an award-winning and popular bookseller, with the Children’s Bookshop being the most loved and long-lasting specialist children’s bookshop in the State. How did your deep knowledge of literature and the industry as a bookseller influence the way you approached the creation and production of The Hole Idea?
I felt a wee bit of pressure knowing that we had to create a quality book. We surrounded ourselves with the most talented creators we knew and recognised that creating a great book is a collaborative process. While we were asked to submit the manuscript to several publishers, the challenge was to produce a book from first spark to delivery of the first print run. It’s been a fast learning process.
You are now covering pretty much every major aspect of the book industry, as authors, publishers and booksellers! What’s it like, wearing all those hats? And what have you learned, as part of the process?
Wearing multiple hats is good- you need to see ‘the book’ as many things. It is first of all a narrative that must resonate, but it is also an art object, a possible focus for teachers in schools and must leap off the page as a great read aloud.
Hopefully the book sits proudly next to quality picturebooks in good bookshops and is a book that booksellers are keen to handsell! You can’t forget the importance of the bookseller!
Finally we know that creators need to promote their work through social media and get on the road- we are off to Freemantle, Melbourne and Brisbane after we have hosted two launches in Sydney. That’s the fun part!