Charity Norman on See You in September

Today I’m very pleased that Feathers of the Firebird is part of the blog tour for Charity Norman and her gripping new novel, See You in September. In this guest post, Charity writes about the hard editing work behind the polished surface of a new work.

The devil’s in the detail

By Charity Norman

I used to think that, once a book was ‘at the publishers’, the writer’s work was done. It was like making a cake: the writer would deliver a typescript, and a novel would emerge a few months later, shiny and beautifully jacketed.

Boy, do I know better now. It’s wonderful to finish the first draft of a novel (which in itself is probably the tenth draft!) and be ready for a publisher to see it – but even if they like it, there’s a lot of work still to be done.

First, there may be a structural edit, perhaps even a major rewrite. This was the case with See You in September. And when that’s done, there’s copy-editing: a line-by–line check. Some writers hate this part of the process, but I love it. I’m so grateful that a sharp-eyed professional has given their time to combing through every word, every comma, checking that I haven’t used the same adjective twice in two pages, or a malapropism, or some grammatical howler. We all have little tics, expressions we use too often – they are there to spot those. They save a writer from themselves.

Often there’s a short time frame for checking all the suggestions. And although I enjoy it, eventually my head begins to spin. Thousands of small decisions: should this be a semicolon? Is this word quite right? Is it fish-and-chips or fish and chips? It’s easy for the whole thing to grow out of perspective. Nothing in the world matters as much as that darned comma! My whole career is riding on it! There will be thousands of Amazon reviews sneering at that adverb!

That’s when my family gently steer me away, and suggest it’s time I went for a walk.

See you in September by Charity Norman is published by Allen & Unwin, RRP $29.99, available now.

More about See You in September:

It was supposed to be just a short holiday… but when Cassy is lured to an idyllic valley called Gethsemane it’s years before her friends and family see her again. Can her family rescue her before it’s too late? A dazzling, gripping new novel about a young woman lured into a clutches of a doomsday cult by its charismatic leader, Justin.

Cassy smiled, blew them a kiss. ‘See you in September,’ she said. It was a throwaway line. Just words uttered casually by a young woman in a hurry. And then she’d gone.

It was supposed to be a short trip-a break in New Zealand before her best friend’s wedding. But when Cassy waved goodbye to her parents, they never dreamed that it would be years before they’d see her again.

Having broken up with her boyfriend, Cassy accepts an invitation to stay in an idyllic farming collective. Overcome by the peace and beauty of the valley and swept up in the charisma of Justin, the community’s leader, Cassy becomes convinced that she has to stay.

As Cassy becomes more and more entrenched in the group’s rituals and beliefs, her frantic parents fight to bring her home-before Justin’s prophesied Last Day can come to pass.

A powerful story of family, faith and finding yourself, See You in September is an unputdownable new novel from this hugely compelling author.

More about Charity Norman:
Charity Norman was born in Uganda and brought up in successive draughty vicarages in Yorkshire and Birmingham. After several years’ travel she became a barrister, specialising in crime and family law in the northeast of England. Also a mediator, she is passionate about the power of communication to slice through the knots. In 2002, realising that her three children had barely met her, she took a break from the law and moved with her family to New Zealand. Her first novel, Freeing Grace, was published in 2010 and her second, Second Chances, in 2012 (published in the UK as After the Fall). The Son-in- Law, her third novel, was published in 2013. Her fourth novel, The Secret Life of Luke Livingstone (published in the U.K. as The New Woman) was published in 2015.


Five Favourites 22: Meredith Costain

Today’s five favourites have been chosen by Meredith Costain.

Ballet Shoes by Noel Streatfeild, with illustrations by Ruth Gervis

I have read this book so many times over the years it is falling apart. It made me long for a life in a genteel inner-city London, one of the three little ‘Fossil sisters’ tenderly cared for by a guardian and a no-nonsense and very proper English nanny, and earning their keep on the stage. The scene where they vow to get their names in history books has stayed with me forever (and set me on the path to becoming a writer). I devoured the rest of her books one after the other.

Little Women by Louisa May Alcott

I suspect I loved this book so much because I identified so strongly with Jo. She spent every spare moment she could reading, writing, crunching apples up a tree or acting out plays with her sisters. I also admired the family’s dogged insistence on making the best out of every situation: the scene where the four sisters are hand-hemming a bed sheet (hemming being something I hated doing myself) and imagining each seam was a new continent to be explored is wonderful.

When We Were Very Young by A A Milne, with illustrations by E H Shepard

We recited a lot of poetry in our house when I was growing up – and this book (along with Now We Are Six) contained some of my favourites: ‘Disobedience’, ‘The King’s Breakfast’, ‘Happiness’ and ‘At the Zoo’. All his writing had such wonderful, matter-of-fact rhythm that went marching through your head. The perfect companion to the perfect Winnie-the-Pooh.

A Book For Kids by C J Dennis

I went to a tiny two-roomed country primary school where our wonderful teacher shared his love of rhythm and rhyme (and the new kids on the block – The Beatles!) with us every day. He introduced us to the poetry of C J Dennis and I still know most of the poems off by heart, particularly ‘Hist!’, ‘The Ant Explorer’, and ‘Triantiwontigongolope’.


The How and Why Wonder Book of Dinosaurs by Darlene Geis, with illustrations by Kenyon Shannon

My brother and I fought for ownership over this book (I’m happy to say I won – it’s currently sitting on my ‘beloved books’ shelf). We spent hours poring over the words and images and had fun trying to pronounce their unpronounceable names (so different to the names of animals we had first-hand knowledge of: cow, dog, chook, rabbit, horse). The blend of hard facts and narrative and its conversational tone made it perfect for young readers desperate to find out more about these fabulous beasts from another world and time.

Finally, just want to add some ‘near misses’: I feel like I will have betrayed these lovely books if I don’t give them a mention as well!

Near misses: A Girl of the Limberlost by Gene Stratton-Porter, Ash Road and Hills End by Ivan Southall, What Katy Did and What Katy Did Next by Susan Coolidge, Emil and the Detectives by Erich Kästner, Warrior Scarlet by Rosemary Sutcliff.

Five Favourites 21: Claire Corbett

Today Claire Corbett is presenting her five favourites.

Elidor–Alan Garner–the anti-Narnia

This novel introduced my child self to the grown-up pleasures of having your heart broken by a book. Elidor, a slim novel published in 1965, is one of the greatest fantasy novels ever written. It lures you in by beginning as a classic portal fantasy: that is, the main characters enter Elidor, ‘Green Isle of the Shadow of the Stars’, through a ruined church in the bombed-out suburbs of post-war Manchester. The four children find themselves in an eerie, dying land and encounter trials of evil magic before being entrusted with four relics they must guard back in Manchester to keep the last of the light alive in Elidor. But the darkness of Elidor follows them into their seemingly dull everyday world. Here the book becomes more SF horror than high fantasy (its moments of suburban satire intensifying the terror), with its ending modulating to tragedy in the key of Celtic Twilight.

This perfect book is described by Garner himself as the ‘anti-Narnia’. It is scary and sad and refuses the child reader the pleasure of exploring its fantasy world. Instead its terrors erupting onto the streets of Manchester are gripping; only as adults do we see how Elidor not only  parallels postwar England, but is of course itself England, with the adults in that fantasy land having no more idea of how to hold back the darkness than did the adults during World War Two. Garner has talked about how he used scientific parallels for magic in the book with static electricity being one form that Elidor’s magic takes in Manchester. This is how Garner weaves SF into his fantasy, and it’s a very powerful device, making the magic feel real in his modern setting and denying the reader the comfort that scientific rationality will defeat the darkness.

Comet in Moominland – Tove Jansson – the Romantic Sublime

All of the Moomintroll books are enchanting but this book deals in the Romantic sublime. This captivated my child’s imagination before I ever heard of the concept of the sublime – the shiver of awe we feel at the beauty and terror of that which is great beyond human understanding: sheer mountains, vast Deeps, the infinite reach and darkness of space. This book delivers all of that as Moomintroll and his friends go on a quest to the Lonely Mountains to ask the astronomers what to do about the Comet threatening Earth. This book even has a kickass heroine in the form of the vain Snork Maiden, who saves Moomintroll from a giant octopus.

The Silver Chair – CS Lewis – Plato’s cave

The darkest, most Gothic and most convincing Narnia tale. I loved it for its epic quest through terrifying settings and its philosophical meditations on the nature of reality. Its pivotal scene is a gripping retelling of the parable of Plato’s cave (of course as a child I didn’t know this). As always with Lewis, the villain, challenging male authority, is a beautiful powerful woman, in this case a witch who kidnaps Prince Rilian, son of King Caspian. Using her engine of enslavement, the Silver Chair, she plans to turn the Prince into her puppet to allow her to rule Narnia.

Two children, Eustace Scrubb (the reformed brat from The Voyage of the Dawn Treader) and fellow victim of bullying Jill Pole, are sent on the quest to rescue Rilian by teaming up with one of Lewis’ most charming creations: the hilarious Marshwiggle Puddleglum, whose idea of looking on the bright side results in ghastly statements worthy of Eeyore such as: Now a job like this–a journey up north just as winter’s beginning, looking for a Prince that probably isn’t there, by way of a ruined city that no one has ever seen–will be just the thing. Puddleglum, one of the great pessimists of English literature, turns out to be the bravest and most stalwart friend any frightened child, or Prince, could ever wish for.

The Silver Brumby – Elyne Mitchell – the beauty of wildness

As a girl I loved horses and riding above anything except swimming. The thrill and danger of riding, the scent of gum trees and saddle leather and horse sweat, the exhaustion at the end of each day, all this was exhilarating. When I wasn’t riding, I loved reading horse books – Thunderhead by Mary O’Hara and the Black Stallion books by Walter Farley. When I came to Australia I was enchanted by the Silver Brumby books which not only thrilled me with tales of wild horses in the Snowy Mountains (I preferred wild horse stories) but introduced me to the beauty of the Australian bush.

1984 – George Orwell – language can corrupt thought

Freedom is Slavery. Ignorance is Strength. War is Peace.

This may seem an odd choice for a childhood favourite but so it was. I read it when I was twelve and instantly its images and lines and ideas were engraved on my brain. How true and how loud do those slogans ring now in our post-Trump election, post-truth world? For a writer, 1984 is the key text, its meditations on the relation of language to politics and consciousness some of the most important ever written: But if thought corrupts language, language can also corrupt thought. Orwell is one of our greatest writers whose work keeps language bright and sharp as a weapon against lies, a tool for truth against those who want to enslave our minds.

Five Favourites 20: Pamela Rushby

Today, Pamela Rushby writes about her five favourites.
The Borrowers series by Mary Norton. Four-inch high people living secretly under the floorboards and in the walls? And scurrying out to ‘borrow’ things? You can’t scare me!
The Sword in the Stone,  T.H. White   I loved this for the use of old English expressions (eg where the hunting Tally-ho! comes from) and for strange facts such as the ‘monsters’ that people believed lived in far-away countries.
I Capture the Castle, Dodie Smith   My favourite book of all time. So romantic- girls living in poverty in a ruined castle. And then the rich Americans arrive. Sigh …
The Bastable series by E.Nesbit  eg The Story of the Treasure Seekers.  The children are so real – and the stories so clever.
The Marlow series  by Antonia Forest   eg Autumn Term, Falconer’s Lure, The Attic Term,   Sisters at Boarding School, and In the Holidays. You’ve got to love an English boarding school story! Again, the characters are so real, and the situations they’re in very realistic. I also adored the way Antonia Forest started the series off just after WW2, and it finishes in what appears to be Swinging London times – but the characters have only aged a few years. So what? It’s fiction, isn’t it!
One more … The Little White Horse  by Elizabeth Goudge. I loved this as a child, and I was shattered to re-read it recently, and find that it now kind of made me want to vomit. Oh well …

Five Favourites 19: Yvonne Low


Today Yvonne Low is presenting her five favourites.



The Little White Horse
Author: Elizabeth Goudge
Illustrator: C Walter Hodges
Orphan Maria Merryweather arrives with her governess Miss Heliotrope at Moonacre Manor to learn she must resolve an age-old feud. I loved the beautiful illustrations and
period fantasy which includes a castle, a secret home cut into a rock-face and unusual characters such as a mysterious white horse, an enormous lion ‘dog’, the menacing Monsieur Cocq de Noir, an unconventional fiddle-playing parson and a cook whose best friend Zachariah the Cat communicates by drawing with his paw.
A wonderful mix of courageous humans and animals helping each other.

Doctor Dolittle (series)

Author/Illustrator: Hugh Lofting
Doctor Dolittle’s many adventures with his trusty family of two and four-legged animals
including Dab-Dab the Duck, Jip the Dog, Polynesia the Parrot and Tommy Stubbins.
I especially enjoyed the tales from the Rat and Mouse Club and the Home for Crossbred
Dogs and longed to be able to communicate with animals just like the Doctor.

Chronicles of Narnia
Author: CS Lewis
Illustrator: Pauline Baynes
The magical world conjured up by Lewis, with all his memorable characters, a favourite
being Mr Tumnus the Faun. The evocative and detailed black and white illustrations
completed the enchantment of the series for me.

Le Petit Prince
Author/Illustrator: Antoine de Saint-Exupéry
Part of my passion for all things French, starting with school-girl French lessons and the
gentle anarchy of Le Petit Nicolas (Goscinny/Sempé), leading onto the subtle reflections
on life from Le Petit Prince. A foreign contemplative world created in both story and

The World’s Best Fairytales (A Reader’s Digest Anthology)
Grimm/Andersen/Perrault and others
Illustrator: Fritz Kredel
I loved this Anthology, which has a wonderful collection of 69 fairytales, both famous and
little known. Amongst my favourites, The Princess on the Glass Hill, The Nightingale,
The Frog Prince and with my passion for ballet, Twelve Dancing Princesses.
The illustrations of medieval ladies with tall conical headdresses and peasant boys
becoming princes no doubt encouraged my love of history and all things medieval.

Five Favourites 18: Belinda Murrell

Today Belinda Murrell has selected her five favourites.

As a child I was a voracious reader, borrowing piles of books from both the school library and our local council library. I was the sort of kid who would stay up half the night reading under my doona with a torch, or bumping into a light pole on my way home from school with my head in a book! So it is very hard to choose just five childhood favourites, which is why a few of these are favourite series! Here goes:

I absolutely loved The Famous Five series by Enid Blyton. I desperately wanted to be George Kirrin, who dressed up as a boy, and together with her beloved dog Timmy and her three cousins, Julian, Dick and Anne, had the most amazing adventures. Like all good children’s books, the parents were always absent, leaving the kids to get on with apprehending criminals, solving mysteries and eating fabulous feasts. The books were laugh out loud funny and full of politically incorrect quirky characters. George even had her own island!


As a child, the book that most fired my imagination was The Lion, The Witch and The Wardrobe by C.S. Lewis. I loved its enticing mixture of adventure, action and fantasy. My sister and I would dress up in silver chain mail, with swords and bows and arrows, and pretend to be in Narnia. I was enraptured by the idea that it might be possible to pass through a secret door into a magical world, full of talking animals and adventure.


Seven Little Australians by Ethel Turner is a lively, colourful story about the mischievous Woolcott children growing up in 1880s Sydney. I loved its historical setting as an insight into nineteenth century Australian life.  The children had a stern father, an army captain who tried in vain to maintain order. Their stepmother was very young and lovely, with her own baby ‘The General’, so struggled to keep her step-children in line. I loved the naughty pranks and mischievous antics of the Woolcott children, especially tomboy Judy, who together with her brother Pip, was always leading the others into trouble.

As a child I had my own pony, so I was horse obsessed! Like many girls I loved pony books, especially the Jill series by Ruby Ferguson. The Jill series of nine books, take the 12 year old Jill Crewe from a complete novice who has just moved to a small English village, to owning her first pony, then learning to ride and becoming a proficient rider, competing at gymkhanas. I loved the character Jill because she was lively, active, independent and funny, working hard and earning her own money to achieve her dreams.

The Nancy Drew series by Carolyn Keene, was about a feisty amateur teenage detective with red-hair called Nancy Drew. Nancy was an inspiring role model as she was strong-minded, independent, intelligent, confident, outspoken, poised and beautiful. Sixteen year old Nancy was an amazing talented heroine – a fabulous horse-rider, expert driver, swimmer, sailor, gourmet cook, rower and sportswoman, with a fabulous sense of style. Together with her best friends Bess and tomboy George, she solved a series of baffling mysteries, helped those in need and outwitted dangerous criminals.

It was these beloved books which inspired me to start writing my own stories when I was a child. When I look back I realise that my favourite books all had a common theme. They all had girl heroes, often tomboys, who were bold and brave, feisty and adventurous, unconventional and independent, and very inspiring to me as a young girl. Perhaps that is why I write books now which focus on girls who are bold, brave, strong-minded, feisty, hard-working, clever and adventurous.

Five Favourites 17: Ursula Dubosarsky

Today, Ursula Dubosarsky is sharing her five favourites.

What Do You Do, Dear? (1963, USA), written by Seslye Joslin, illustrated by Maurice Sendak

Very absurd, very funny series of situations about good manners. What do you do when a lady polar bear walks into your igloo in a white fur coat? that kind of dilemma.  I loved the satirical gaiety of it, I loved the illustrations (these were really my only knowledge of Maurice Sendak until I was an adult, I didn’t read his picture books for some reason) and I loved the form – the set-up of the crazy situation, the repeated question, “What do you do dear?” and then the equally absurd solution.

Gone is Gone  (1935) USA  written and illustrated by Wanda Gag

I was given this before I could read by a friend of my mother’s. I loved the shape of it (small hardback), I loved that it was mine. I loved the storytelling style (a retelling of a traditional tale), the strange words, the madcap humour and I loved the black and white pictures with all the crazy details – the baby, the little dog, the cow on the roof eating the grass. I remember being fascinated by the details of rural life – churning the butter, cutting the crops, gathering the vegetables and so on. Beautiful deep illustrations.

The Complete Adventures of Snugglepot and Cuddlepie, including Little Ragged Blossom and Little Obelia (1940) Australia. Written and illustrated by May Gibbs

I bought this at a book stall at a fete at Gladesville Hospital – at least my dad bought it for me – when I was about eight. I distinctly remember loving the language of it, especially the individual sentences. I also loved the picaresque nature of the storytelling, with simply one strange thing following another and then suddenly ending. And I devoured the illustrations where the modern world is recreated in the world of the bush creatures – the cinema, the (sea) horse races, the restaurants, the art school and so on – I was fascinated by the ingenuity and satirical absurdity of it.

Biquette the White Goat (1953) USA written and illustrated by Francoise

I was given this for my 6th birthday and I still know it off by heart, so clearly I read it again and again and again and again and again. It’s the story of a sick little girl who must have goat’s milk to get better.  I think it’s a masterpiece! – of beautiful clear gripping storytelling and equally beautiful clear gripping painted illustrations. As an adult I have sought out as many of Francoise’s books as I’ve been able to.

I Had Trouble in Getting to Solla Sollew (1965) USA.  Written and illustrated by Dr Seuss.

This was also a birthday present, when I turned eight. Again, I still know this book off by heart and often recite it to myself when I’m trying to fall asleep or feeling at a loose end.  It did and does bring me the most enormous pleasure – the sounds of the words, the ingenious and silly rhymes, the invented words, the crazy sudden characters who disappear just as suddenly, the ridiculousness of the whole premise, the haplessness and openness of the main character, the vanity of human wishes (well not quite human) – it’s got it all! Wonderful, rich literature.